London studies coming in April

hamlet

Hamlet Intensive April 26th— One Meeting study of the extraordinary play in honour of Shakespeare’s 400 year anniversary

“What a piece of work is a man! How noble in reason! how infinite in faculty! in form, in moving, how express and admirable! in action how like an angel! in apprehension how like a god! the beauty of the world! the paragon of animals! And yet, to me, what is this quintessence of dust?”

Light in August by W. Faulkner seven week daytime study starting April 18th “It is just dawn, daylight: that gray and lonely suspension filled with the peaceful and tentative waking of birds. The air, inbreathed, is like spring water. He breathes deep and slow, feeling with each breath himself diffuse in the natural grayness, becoming one with loneliness and quiet that has never known fury or despair….”

To the Lighthouse by V. Woolf five week evening study at SAP in Hampstead

“What is the meaning of life? That was all- a simple question; one that tended to close in on one with years, the great revelation had never come. The great revelation perhaps never did come. Instead, there were little daily miracles, illuminations, matches struck unexpectedly in the dark; here was one.”

 

Why am I getting this newsletter again???

You may be asking– or you may be seeing this for the first time…amongst the ecstatic flight of our Proust and Joyce studies, the terrible beauty of our Faulkner work– our discussions around meaning and language and gender and identity– there is also the banality of technology and its limitations. As the Salon community grows, the pressure on the website and my VERY limited technical knowledge means breakdowns: so many may not have received recent news or the communication was unreadable.

Let us hear from you…

As I am proposing coming studies and starting to consider the line-up for the September offerings or possible short summer study, your input is invaluable– and confirms the newsletter has been received. And simply: it is always enjoyable to hear from members of the Salon community.

Salon Community happenings: One of the current Ulysses travellers, Annabel Abbs, has a book on Joyce’s daughter launching in June so watch the site for more information: 15 June, at Waterstones on the Kings Rd, SW3. 7-9pm

Poet Jehane Markham will be running a six-week poetry workshop starting in May on poetry-making from myth that sounds delicious…

A small group of us will be celebrating our journey through the Search for lost time in Proust with a few days following in Prout’s footsteps– and later in June there will be celebrations all over the world for Bloomsday–and the Salon will join in those here in London.

Paris Salons April 2nd and 3rd

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After the joy and exuberance of our February studies, I am so pleased to be able to return for more digging in the realm of language and ideas with the shimmering Paris Salonistas.

 

 

 

Why am I getting this newsletter again???

You may be asking– or you may be seeing this for the first time…amongst the ecstatic flight of our Proust and Joyce studies, the terrible beauty of our Faulkner work– our discussions around meaning and language and gender and identity– there is also the banality of technology and its limitations. As the Salon community grows, the pressure on the website and my VERY limited technical knowledge means breakdowns: so many may not have received recent news or the communication was unreadable.

Let us hear from you…

As I am proposing coming studies and starting to consider the line-up for the September offerings or possible short summer study, your input is invaluable– and confirms the newsletter has been received. And simply: it is always enjoyable to hear from members of the Salon community.

Here is how one of the participants described a recent Salon:

“And once again, there we were, somehow suspended in space and time, flying above the bridges of Paris in B’s little cabin in the sky, singing the praises of Ms Morrison, dancing along with her rhymes and rhythms, swimming in a foreign language that was so, but not so, familiar, wondering how the voice attached to words makes different sounds in our heads…it’s all so mysterious and wonderful.”

The registration is on the website– please let me know if you have any questions.

See you in the pages….

Comments on Sound and Fury Salon 11.15

young FaulknerWilliam Faulkner’s The Sound and the Fury is often named as one of the best novels of the 20th century. Faulkner tackles complex and universal human questions through mesmerising and unforgettable characters. The brilliance of this book emerges in the Salon study group, where you have the liberty to dive deeply into Faulkner’s work, question and discuss with others. Not many novels will stand up to 20 hours of discussion, but it felt we could have continued for another 20 hours. The Sound and the Fury was one of the most difficult books I have ever read, but through the Salon study it was also one of the most rewarding and impactful.

 

This is a remarkable book. Reading it is very demanding as it deals with painful human issues and asks much of our intelligence and capacity for sympathetic understanding. Because of this, it is a  huge advantage to read it in a group  guided by a gifted teacher. To share your perceptions of the book with others and to sense how these change and deepen as you listen and discuss is a truly inspiring experience.

Reading books creates greater empathy

Our sympathy for fictitious characters can translate into compassion in real life

empathy

There was a lovely piece of writing in the Guardian recently about how reading both inspires empathy and connects people. This is not a new revelation for those who have participated in the Salon studies or other book studies. There is a wonderful connectivity that occurs in the presence of great ideas and complex language.

Overall, we need to find new ways to connect across political divisions & differences in world view– across gender divides and national perspectives. Literature offers this opportunity. Every week in the Salon conversations I witness how we learn to respect differing approaches– and use these to enrich our own particular world view.

Here is a selection from this article– I think you would enjoy the whole piece: http://www.theguardian.com/lifeandstyle/2016/jan/17/a-literary-cure-for-loneliness-pick-up-a-book

But there is another important reason why everyone should read more books, and in particular fiction. The responsibility to combat loneliness lies with those who do not suffer from it. Lonely people often feel that there is no one out there, no one who understands them or can share their point of view. They need to know that actually there are. That requires everybody else to make the imaginative leap of feeling that connection, and reading fiction helps. It makes people more empathic – sympathy for fictitious characters can translate into compassion in real life.

The stories of strangers reach us through many means: news bulletins, interviews, biography and memoir, but also drama and fiction. Listening to these carefully, making imaginative connections, walking a mile in their shoes might help turn some of those strangers into real friends.

The Sound and The Fury by Faulkner at SAP in Hampstead

Sound Fury coverThis five week study starts next Monday, February 1st in Hampstead– at the Society for Analytical Psychoanalysts –but you do not need to be a psychoanalyst to join. Faulkner has this amazing ability to get deeply into the conversation that happens between people: what is said, what is suggested what is meant, what is submerged…his exploration in Sound & Fury of a family disintegrating amidst the tragedy of the old South is powerful and absolutely relevant to our world today. He examines gender relationships, struggles between parents and their outraged children, sibling rivalry & love, the weight of a grotesque history on individual identity and racial struggles.

 

A recent participant describes the study of Sound & Fury in the Salon:

William Faulkner’s The Sound and the Fury is often named as one of the best novels of the 20th century. Faulkner tackles complex and universal human questions through mesmerising and unforgettable characters. The brilliance of this book emerges in the Salon study group, where you have the liberty to dive deeply into Faulkner’s work, question and discuss with others. Not many novels will stand up to 20 hours of discussion, but it felt we could have continued for another 20 hours. The Sound and the Fury was one of the most difficult books I have ever read, but through the Salon study it was also one of the most rewarding and impactful.

 

Here is the description of the study:

In William Faulkner’s first truly modernist work, he attempts to break through the confines of time and sequence to get at the essence of human nature as Malcolm Bradbury explains, “Faulkner’s preoccupation with time has to do with the endless interlocking of personal and public histories and with the relation of the past to the lost, chaotic present.” The Sound and the Fury exposes a crumbling world through inference and allusion rather than through direct social critique. In the modernist method, Faulkner employs stream of consciousness and symbolism as connecting fibres against interior realities that must competing for authority.

This study will draw upon participants’ questions and ideas to shed light on this complex text. The book is richer when discussed, enabling the first time reader access to Faulkner’s vision while those re-reading will find greater depth and resonance. Upon a first reading, the narratives appear jumbled and opaque but as the pieces start to fit together, the complex and careful become apparent planning that Faulkner uses and to what end? This is what we must grapple with our study.

“…I seemed to be lying neither asleep nor awake looking down a long corridor of gray half light where all stable things had become shadowy paradoxical all I had done shadows all I had felt suffered taking visible form antic and perverse mocking without relevance inherent themselves with the denial of the significance they should have affirmed thinking I was I was not who was not was not who.” ― William Faulkner

We will be reading from the Norton Critical edition of The Sound and the Fury.

To register, please visit the SAP site: the cost for the five week study is £95.      http://www.thesap.org.uk/events/the-sound-the-fury-by-w-faulkner/

young Faulkner

 

 

 

Paris Salon Intensives: Ovid and Herrera- Ancient and Modern mythologies

metamorphoses

The Paris studies are intensive not simply because we cram our work into one meeting: the energy that the original Salon group brings to the work is powerful and inspiring. Here is how one of the participants perfectly describes our recent study:

And once again, there we were, somehow suspended in space and time, flying above the bridges of Paris in Barbara’s little cabin in the sky, singing the praises of Ms Morrison, dancing along with her rhymes and rhythms, swimming in a foreign language that was so, but not so, familiar, wondering how the voice attached to words makes different sounds in our heads…it’s all so mysterious and wonderful.
The coming studies offer a range from classical Rome to contemporary border crossings– both works are a shorter length to accommodate busy schedules. There will also be a short story study on Friday the 12th — look for those details this coming weekend.
Ovid’s Metamorphoses as selected by Ted Hughes Saturday Feb. 13th 5-10 PM €45 for more details and registration: http://clone.checkyourtestsite.co.uk/course/tales-from-ovid-ted-hughes-translation-paris-salon-intensive/
In its length and metre, the Metamorphoses resembles an epic. But the opening lines describe the very different kind of poem that Ovid set out to write: an account of how from the beginning of the world right down to his own time bodies had been magically changed, by the power of the gods, into other bodies.
Signs Preceding End of World coverSigns Preceding the End of the World by Yuri Herrera  Sunday Feb. 14th 3:30-8:30 PM €45 for more details and registration: http://clone.checkyourtestsite.co.uk/course/signs-preceding-by-yuri-herrera-paris-salon-intensive/
“This is a gorgeous, crisp little thing. And although Signs . . . is no epic – accounting for chapter breaks it clocks in at under 100 short pages – Yuri Herrera has managed to achieve such extraordinary scope, of space and meaning, without any sense of hurry or clutter … Signs… is an important work, given the tenor of the immigration debate in the US and internationally. Herrera and Makina make a mockery of old-order American patriotism, which is easy to do but tough to actually pull off. The whole book is in fact a tiny exercise in bold and clever writing done with verve.” Angus Sutherland, The Skinny
Perfect for the start of a Valentine’s Day celebration?
Coming studies in Paris to include (by popular request):  Vanity Faire, A study of the American Transcendentalists: Whitman, Emerson & Thoreau…other choices? Contact us

New Years and Renewal

Full moon rising over Parliament Hill 12.15
Full moon rising over Parliament Hill 12.15

I always expect more from the New Years’ moment. We invest so much into this idea of the change of the year– that there will be an overturning– a renewal commiserate with the birth of the New Year. When I making plans towards the coming year in December– it just seems impossible– this distance from one year to another– that the holidays will come through with their whirring and sparkle and then slink out –and suddenly its January. I can hardly crack open the new calendar– those fresh pages in an unknown year seem impossible. There should be a kind of metallic grinding as the old gears give in to new or a new spirit of animation replaces the exhausted, dusty old.

Perhaps it doesn’t just happen, I think. The idea of New Years’ resolutions– those claims towards renewal, the commitment to change–are the means we have to turn this organic sense of change into something recognisable. Swimming in Proust means that I am constantly overturning ideas about time: how fragile is our understanding of time’s movement and our shaping within time, and how deeply we struggle to hold time and make the passing days in some way accountable in our scale of meaning.
That is one view of the past days: another, as fitfully captured in the picture above, is the stance towards passing days that focuses on those startling moments: when the moon bursts into the gloaming on a Christmas Eve walk; when dear friends turn up for a brief moment from miles and years away and the conversation yields remarkable insights; when a simple shared meal- a night like any other– suddenly becomes a galvanising moment– a treasure of solidity and laughter. These are the glimmers that light and lighten the way through time– and those moments also that we do not celebrate– those moments that carve us sharper as we meet and move through the tangled forests of the world– all of these become what we are. The passing of the old year into the new gives room for a recognition of how all these become a life.

This poem is a Solstice favourite; connection to the musings above? Perhaps– or just let it sing to you:

Quiet friend who has come so far,
feel how your breathing makes more space around you.
Let this darkness be a bell tower
and you the bell. As you ring,
what batters you becomes your strength.
Move back and forth into the change.
What is it like, such intensity of pain?
If the drink is bitter, turn yourself to wine.
In this uncontainable night,
be the mystery at the crossroads of your senses,
the meaning discovered there.
And if the world has ceased to hear you,
say to the silent earth: I flow.
To the rushing water, speak: I am.

From Sonnets to Orpheus II, 29 by Rainer Maria Rilke

Feedback from Ulysses at City Lit

UlyssesGuiness

Having owned a copy of “Ulysses’ for years, I attended a three-day introductory course at City Lit. Captivated, I then embarked on the ten-week course, which was wonderful but all too short. This is a book that takes over your life and, even in twenty weeks, you can do no more than begin the journey. BUT attending the course encourages you to persevere when the going is tough, gets you through that first reading, gives the book time to reach you. Reading with others, sharing the pleasures and the difficulties, the amazing humour, the intellectual brilliance, the stunning language, the sheer humanity of the book, all choreographed by the tutor, is an amazing experience. Anyone interested in reading ‘Ulysses’ should seize the chance to do so with such a stimulating and knowledgeable guide.

 

The tutor helped make the experience of reading Ulysses a joy. It didn’t matter one bit that there were different levels of academic experience in the class. I know I wouldn’t have read it on my own and I have a great sense of achievement having completed it. There is something in this book for everyone.

I am thrilled to be part of this course: it needs time to appreciate the beauty of Ulysses, a group atmosphere in which to discuss and share ideas and a leader to guide us through the tricky bits. The course has all three. It will be wonderful.

I attended two 11week courses and enjoyed two complete readings on the way. The tutor is an enthusiastic and inspiring teacher who encourages participatory readings and wide ranging discussion. It is a steep learning curve but new insights, good fun, and increasing understanding and pleasure in one of the great literary works are ample reward.

 

I am utterly delighted to have taken up this course. Ulysses is a great work which can be better appreciated/understood in a class environment, specially one in which sharing of ideas and participation in discussions are encouraged. I thoroughly recommend this class whose tutor is enthusiastic, well informed and passionate about Joyce and Ulysses. She creates a participative atmosphere for discussion, making us all feel comfortable to share our ideas, even if we’ve had no previous knowledge or experience of this work or author. The discussions are always stimulating and informative.

The structured approach to reading and discussing the book chapter by chapter each week is also fundamental to undertaking and absorbing the depth and breadth of this book. It is great to see City Lit offering 20 weeks for this course as it will allow for a more rewarding study of Ulysses.

 

This is a great course. Many years ago, I partly read Ulysses – not getting to the end was one of my great regrets. It is a huge and wonderful book that is extremely hard to fathom on the first reading without support. In this class, the inspiring tutor expertly unfolds Joyce’s masterwork to both seasoned travellers and novices. The class atmosphere is very supportive, with emphasis on weekly reading and chapter by chapter analysis. The previous 11 week course was a gallop, students will benefit hugely from the longer 20 week programme. Sign up now!

 

I really enjoyed the whole course. The tutor covered the whole book and made it very interesting and explained what the original Greek chapter headings meant. The class comprised people who were immersed in Ulysses and newcomers and we all thoroughly enjoyed it. I gave the course content 4 stars as there is such a vast amount of stuff in the book.

Ulysses is one of the great novels but like most people I did not think I would find it easy reading it alone. I was so glad I attended another course reading and discussing the novel. With the help of the brilliant tutor and the other students the beauty of the novel was suddenly opened to me. It was one of the best courses I have attended.

Anybody who wants to finally get to grips with this great work or who admires James Joyce should enrol immediately. You will be taken through each chapter week by week with extensive notes and a very helpful tutor and given plenty of time and space to question any part you may find challenging. The course is over 20 weeks so you will also have plenty of opportunities at reading pages aloud and the atmosphere is both warm and friendly.

COURSE CONTENT *****       ENJOYMENT *****   QUALITY OF TEACHING *****

Coming Salons & studies: Now & 2016

sandymount-1024x682The days are short and the chill is settling in with some seriousness.  Some days it is enough just to get through–but if you are feeling inspired, look ahead towards the coming studies. These works will help illuminate the dark times of the year– and give purpose to your reading pleasures. The Ulysses study–starting mid-Janaury — is likely to be full so do register now to ensure your place. Some studies have not yet been officially announced– but they are included below as the dates and times are relatively certain. The registrations for these should be available in the coming weeks.

 

24.11.15  Evening Lecture at CityLit: Reconfiguring the domestic sphere: a consideration of Marilynne Robinson’s ‘Housekeeping’ and Molly Bloom’s bed in ‘Ulysses’

27.11.15 A Mercy by Toni Morrison : Paris Salon Intensive 

12.01.16 & 13.01.16 (afternoon & evening options) Ulysses 2016

14.01.16  Ulysses Cover to Cover  course at City Lit in Covenant Garden 1:45-3:15

*** see Ulysses feedback for participants commenting on their experience in the study**

Coming Salons (registration open in the coming weeks)

11.01.16  Further Faulkner: As I Lay Dying  Monday afternoons– five weeks

13.01.16  In Search of Lost Time Vol.  II : Within a Budding Grove 6-7:50 PM

13.01.16 In Search of Lost Time Vol.  V: The Captive and the Fugitive 2-4 PM

01.02.16  The Sound and The Fury at SAP in Hampstead Monday evenings five weeks

13.02.16 Paris Salon Intensive weekend to include Ovid’s Metamorphisis and possibly Vanity Fair as well as an evening of short stories….

Ideas? Requests? Always welcome…

 

 

 

Xenia in the Modern World

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“Man of misery, whose land have I lit on now?

What are they here -violent, savage, lawless?

or friendly to strangers, god-fearing men?”

The Odyssey by Homer- VI, 131-133

In these days of agony—horror at the events in Paris last weekend, further horror at the bombings in Beirut, the hostage taking in Mali…outrage at the response of the politicians in the USA using these events as an excuse to reject those fleeing from the very perpetrators of this terrorism—the words of Odysseus ring in my ears.

At the heart of the Homeric universe is  Xenia: 

(Greek ξενία, xenía): the Greek concept of hospitality, or generosity and courtesy shown to those who are far from home or unknown. It is often translated as “guest-friendship” (or “ritualized friendship”) because the rituals of hospitality created and expressed a reciprocal relationship between guest and host. XENOS (the singular form) translates to: guest, host, foreigner, stranger and friend. For the ancients, stranger is a temporary state that with right protocol translates to friend.

 

Those that do not offer—or go so far as to desecrate- the rituals of hospitality show themselves to be ‘savage, lawless’—and are isolated, rejected and fought if they have invaded.

 

I am thinking about how in the ancient world as humans attempted to move from lives of violent struggle for survival to civilized existence, negotiating the encounter with strangers was vital. The way in which two people come to know each other, the movement from stranger to guest to friend, sits in core of our social system and is the early testament to our ascension into civilization—towards the best of human enterprise.

 

So although members of the US government (along with other anti-immigration advocates in mostly western countries) may not understand this—their response to reject desperate migrants from ravaged places shows their collapse of civilized behavior in the face of fear.

 

At times this past week I have felt frozen with inaction in the face of the deaths and sufferings of the people of Paris—and then appalled by the critique of the efforts on social media as people tried to come to terms with the events and their own fears and sense of helplessness. I sat down to a wonderful group working their way through Proust’s epic and felt the absurdity of discussing social manipulations and aristocratic degeneracy while the world burns. Unlike a dear friend who is dedicating her work to the Syrian migrants, I sit here in North London and agonize and promote reading literature.

 

I do not think that however iron clad we make our borders, however much we employ surveillance on ourselves or those we have defined as our enemies, we will ever eradicate terrorism until people everywhere have homes that are safe and food to eat and the freedom to live as they choose. I am so appreciative of the glimpses of defiant life in Paris following the attacks—the spontaneous choruses of La Marseillaise, the demonstrations, the cartoons and rejection of fear and hatred on the part of the Parisian people—even, and especially—those who lost loved ones in the attacks.

 

This offers the best response to the inhumanity shown by the IS/ISIS/ Daesh militants—along with the xenophobic US representatives. Live in a way that models civilized, progressive human behavior over violent and random inhumanity: and that means welcoming people in need, negotiating with right protocol your encounter with a stranger, offering a meal before you ask someone to tell their story. We can probably skip the offer of a bath with the scented oil rubdown as the precursor to the sharing of food and drink—although maybe that would help.

 

I accept that refusing to treat every migrant as a terrorist may mean that I will suffer—that me or my family or someone in my community will be killed because desperate people are rejecting the claims of the civilized society. I also understand that safety is not a guaranteed right –because my safety usually comes at the expense of another’s: for me to be absolutely safe the enforcing powers would make some assumptions about who is good and who is evil (always those defined as outsiders) and reject those whose profile causes concern. It seems to me a kind of arrogance that suggests I deserve to be totally safe while Syrian children are sleeping in freezing forest as their desperate parents risk everything to scrape out a life away from immediate fear.

 

In Ancient Greece, communities would take the risk of welcoming a stranger into their midst not knowing if their hospitality would be reciprocated with gifts or blood. Taking that risk: offering humanity first outweighed the risk that the stranger would respond inhumanely. In parts of Greece today, that same generosity is still being enacted as refugees are brought to shore on the island of Rhodes, Lesbos and other shores.

Imagine that, from beginning of the Syrian civil war, the Western countries had responded by spending billions on aid instead of the billions spent on military response—on supporting Turkey, Lebanon, Greece and Jordan in welcoming the migrants –how would this have changed the perceptions of Syrians toward the West?

 

Coming out of ten years of fighting the Trojan War, Odysseus had to learn to approach strangers & unknown communities without the impulse to attack. Here I may find the start of action in the face of my helplessness: approach the stranger with humanity. Accept the risk that there are people who have learned inhuman responses—but I will not let their inhumanity instruct mine.

 

xenia Odyssey

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