Homer’s Odyssey in Greece: One-week immersion

Course NameLocationDurationDateTime
Homer's Odyssey in GreeceIsland of Agistri, Rosy's Little VillageOne week with two prep meetings1-8 May 2019

Kayaking near Agistri

Drawing on the success of the LLS, we are excited to expand the studies by offering retreats that place participants in locales that reflect and expand the literature. By taking participants to beautiful places, the LLS retreat offers a more intensive immersion in the book while opening the mind to a part of the world illuminated through the beauty of the language. 

The Greek Odyssey study for May 2019 will use Homer’s epic poem to consider closely the guest-host relationship, the defining struggle of humans against overwhelming nature, the struggle to know ourselves in foreign spaces, our understanding of the heroic and the role of myth and epic in lived experience. With the expertise of fellow facilitators, poet Carolyn Donnelly and actor Jane Wymark, we will broaden our understanding of the poetic form and modern interpretations and prepare passages of the text for dramatic presentation. 

We have found the perfect site to host this study providing the ideal combination of a local space run by someone who understands our mission & can provide us room & board that has some cultural and adventure offerings — and is easy to access. We will be staying at Rosy’s Village on the stunning island of Agistri. The study is scheduled for the 1st to the 8th of May 2019.  

SALON DETAILS

  • Facilitated by Toby Brothers, Jane Wymark and Caroline Donnelly
  • May 1st-8th 2019; program will run approx. five to six hours per day (one afternoon open) leaving time for other activities (optional kayaking adventure and trip to The Pidavros theatre or Temple of Aphasia
  • Preparatory meetings April 8th & 15th 7:30-9:30 in London (Skype option available)
  • Recommended edition: The Odyssey by Homer, translated by Robert Fagles AND the Emily Wilson translation

£400 for the Salon study includes preparatory meetings, background materials and opening notes

Room and half board (two meals per day) will be paid directly to Rosy’s; after you register, you will receive details on payment.

Room Prices for seven night stay: (including Breakfast & Dinner)

574 euro  Single  (approx. £510)

413     Double      (approx. £365)

392   triple/family room

Other costs: Flights (Right now can be found for £120-200 r/t British Air), ferry to Agistri (usually 14 euro each way but may be 40 euro for arrival if there is a strike on May 1st), one meal a day and extra trips. For flight purchase, please make sure you can be in Piraeus by 3 PM for May 1st to make the ferry. I suggest a return flight later in the day on the 8th to get you back from Agistri (travel time from Agistri to Piraeus approx. 1 hour).

To register for the study, please use the secure Paypal payment button below to pay £400, inclusive of the Salon cost. Opening notes will be sent after registration.




 

If you have any questions about this study, please contact us.

 

About the epic…       

The Salon has certainly been a place to re-discover- or discover for the first time- the works that form the cornerstones of Western literary tradition. The Odyssey is a root for our understanding of ourselves as well as the words and ways of the ancients. How does it continue to shape our idea of the heroic? What do the dilemmas that Odysseus faces offer to us today? Can we still appreciate the lyric and narrative quality alongside a violent story filled with the suffering and death of nameless servants, slave girls and soldiers?

 

Many artists have used The Odyssey as an inspiration for their work as Joyce does with Ulysses and the Coen brothers did for their film(winning an Oscar for the best screenplay adaptation from Homer’s original)…the epic struggle to return home and exploration of the guest/relationship remain relevant across time.

David Denby, in his work Great Books, describes his engagement with The Odyssey as an essential exploration of the formation of the self for the reader as well as for Telemachus and Odysseus: “Even at the beginning of the literary tradition of the West, the self has masks, and remakes itself as a fiction and not as a guiltless fiction either. . .

The Odyssey is an after-the-war poem, a plea for relief and gratification, and it turns, at times, into a sensual, even carnal celebration.”

Further reading : http://www.telegraph.co.uk/culture/books/10833515/Alice-Oswald-how-to-read-Homer.html