Dickens between the shoulder blades

We have started our journey through Bleak House; through the fog and detritus of Dickens’s London, into the depths of Chancery…we may even have a field trip to the newly opened Dickens Museum and enjoy a performance of A Christmas Carol and a Dickensian Christmas Walk. If one is to be in chilly London with the pond becoming jellid towards freezing and the winds blowing through to your bones, you might as well celebrate the season.

Nabokov on Bleak House

For nearly twenty years, Vladimir Nabokov delivered a series of very popular lectures first at Wellesley and later at Cornell introducing undergraduates to the delights of great fiction.
Below is an excerpt from his lectures on Bleak House (following on his studies of Jane Austen)

With Dickens we are ready to expand. It seems to me that Jane Austen’s fiction had been a charming rearrangement of old-fashioned values. In the case of Dickens the values are new. Modern authors still get drunk on his vintage. Here there is no problem of approach as with Jane Austen, no courtship, no dillydallying. We just surrender ourselves to Dickens’s voice—that is all…All we have to do when reading Bleak House is to relax and let our spines take over. Although we read with our minds, the seat of artistic delight is between the shoulder blades. That little shiver behind is quite certainly the highest form of emotion that humanity has attained when evolving pure art and pure science. Let us worship the spine and its tingle. Let us be proud of our being vertebrates, for we are vertebrates tipped at the head with a divine flame. The brain only continues the spine: the wick really goes through the whole length of the candle. If we are not capable of enjoying that shiver, if we cannot enjoy literature, then let us give up the whole thing and concentrate on our comics, our videos (our Facebook and Youtube, VN would have added), our books-of-the-week. But I think Dickens will prove the stronger.
V. Nabokov, Lectures on Literature (1982 First Harvest/ HBJ NY ) Pg 63-4.

Terra Incognita & The Vane Sisters

Vladimir Nabokov’s Terra Incognita and The Vane Sisters

This one-meeting study is an opportunity to notice and savour the details in two of Nabokov’s short stories. We will see things and hear things; we will visualize the rooms, the clothes and the manners of the author’s people. We will read not just with our hearts, not just with our brains, but with our spines. For it is there that the tell-tale tingle occurs.

Although this stand-alone session is an introduction to Nabokov’s stories, it is also a gateway drug to an upcoming study of the author’s addictive novel Pale Fire.

SALON DETAILS

  • One-meeting study
  • The facilitator will provide participants with copies of the stories and pre-session reading material to help situate the reader in the texts.

The facilitated discussion will use these stories as a springboard for our conversation; we welcome participant questions, responses and ideas as we navigate the challenges of the work. There is no expectation of previous study or work with the texts nor in the academic tradition: this study will challenge and invigorate the first-time reader as well as the life-long lover of Vladimir Nabokov’s extraordinary prose.

Pale Fire

Vladimir Nabokov’s Pale Fire

Pale Fire is a book like no other. Overshadowed by LolitaPale Fire is nevertheless Nabokov at the height of his powers: it comes right after PninLolita and a prose translation of Pushkin’s Eugene Onegin. But because of its unusual structure, Pale Fire is more often abandoned than finished, more often spoken about than read. Which means that a great, witty, mischievous work of literature remains virtually undiscovered. And yet Pale Fire’s greatest secret is that it is utterly delightful.

The novel is a playful link between Modern and Postmodern, which sets out to deceive but never cheat. It invites us to a discovery in a way that no other book does. It’s a ‘Jack-in-the-box, a Faberge gem, a clockwork toy, a chess problem, an infernal machine, a trap to catch reviewers, a cat-and-mouse game, a do-it-yourself novel’ (Mary McCarthy, The New Republic, June 4, 1962).

SALON DETAILS

  • Nine-week study
  • Recommended edition: Nabokov, V. Novels 1955 – 1962. ed Brian Boyd. (New York: The Library of America, 2014). ISBN: 978-1883011192 (see further edition notes below)

The facilitator will provide participants with pre-session reading material to help situate the reader in the novel. The facilitated discussion will use Pale Fire as a springboard for our conversation; we welcome participant questions, responses and ideas as we navigate the challenges of the work. There is no expectation of previous study or work with the poem nor in the academic tradition: this study will challenge and invigorate the first-time reader as well as the life-long lover of Vladimir Nabokov’s extraordinary prose.

Further Edition information:

Unfortunately there’s no annotated edition of Pale Fire, but the Library of America edition — with notes and minor error corrections — is the next best thing. The edition includes some other novels (Lolita, Pnin and the Lolita screenplay) but isn’t too unwieldy.

Nabokov, V. Novels 1955 – 1962. ed Brian Boyd. (New York: The Library of America, 2014). ISBN: 978-1883011192.

Really important: some other editions of the novel only contain the poem, which won’t do for our purposes. Salonistas need to take care to buy an edition containing the foreword, poem, commentary and index.

At a push, the Penguin Modern Classics edition is OK. (Page numbers won\’t matter too much because this edition includes the poem’s line numbers, and the commentary is grouped up according to line number.)

Nabokov, V. Pale Fire: Penguin Modern Classics. (London: Penguin, 2000). ISBN: 978-0141185262.

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