“Losing personality, one lost the fret, the hurry, the stir; and there rose to her lips always some exclamation of triumph over life when things came together in this peace, this rest, this eternity; and pausing there she looked out to meet that stroke of the Lighthouse, the long steady stroke, the last of the three, which was her stroke…”
—Virginia Woolf, To the Lighthouse
In this exquisite work, Woolf seeks to break through the restraints of language to access the interior voice of passions, fears, unspeakable thoughts and human dynamics. By employing stream of consciousness narrative and the early stirrings of the modernist aesthetic, Woolf gives insights into the nature of relationships and the formation of self in relation to others that will be recognisable – and revealing to each reader.
Eudora Welty writes in her forward to To the Lighthouse: “Radiant as [TtL] is in its beauty, there could never be a mistake about it: here is a novel to the last degree severe and uncompromising. I think that beyond being about the very nature of reality, it is itself a vision of reality.”
- Five-meeting study
- Recommended edition: To the Lighthouse, by Virginia Woolf, with introduction by Hermione Lee; Penguin Classics; (ISBN 0-14-118341-1)
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