“Tell me the tale of a man, Muse, who had so many roundabout ways
To wander, driven off course, after sacking Troy’s hallowed keep; 
Many the peoples whose cities he saw and whose ways of thinking he learned,
Many the toils he suffered at sea, anguish in his heart 
As he struggled to safeguard his life and the homecoming of his companions.”

The opening lines of Daniel Mendelsohn’s translation of Homer’s Odyssey

“This may be the best translation of The Odyssey yet.”
Edith Hall, The Telegraph

Following their twelve-week study of The Iliad, facilitators Susanna Taggart and Caroline Hammond will tackle The Odyssey in the same format, covering two books per session, allowing time to look at the text from many angles: its historical context, the debates surrounding its authorship, its literary and psychological subtexts and its enduring influence on modern culture in the English-speaking world and beyond. We will combine a close reading of the text and a wider focus, including poems and art inspired by the epic, consideration of the psychology of war and return, and images of museum exhibits.

Published in 2025, the celebrated author, critic and classicist Daniel Mendelsohn’s acclaimed translation has brought The Odyssey to new life. Readers have praised this line-for-line translation for capturing the epic’s formal qualities – meter, enjambment, alliteration and assonance to produce a work full of the beauty and music of the original as well as its archaic grandeur.

“The plot of The Odyssey is not long in the telling. A man has been away from home for many years. Poseidon is always on the watch for him; he is all alone. As for the situation at home, his goods are being laid waste by the Suitors, who plot against his son. After a storm-tossed journey, he returns home, where he reveals himself, destroys his enemies, and is saved.”

Aristotle, Poetics, translated by Daniel Mendelsohn

Writers from Dante to James Joyce to Margaret Atwood have been inspired by the story of Odysseus and his quest to return home after ten years of war. In Homer’s telling, the world of Odysseus is both vast and intimate with the smallest details – from flowers growing outside Kalypso’s cave to the performance of everyday household tasks – rendered in vivid detail. It is a story that asks questions about what it means to be human, particularly when Odysseus has been stripped of the context that has previously defined him: he is a warrior whose war is long over, a leader who has lost all of his men, a father who has missed his son growing up and a husband lost to his wife. Join us to explore the complexity and difficulty of this central character and why the poem remains at the heart of our shared literary culture today.

JOINING DETAILS:

• Twelve two-hour meetings live on Zoom, led by Caroline Hammond and Susanna Taggart
• Tuesdays, 5.00 -7.00 pm (BST), 19 May – 4 August 2026
• Optional one-hour session for final reflections on Tuesday 11 August
• Recommended edition: The Odyssey: A New Translation by Daniel Mendelsohn, ISBN: 9780241733585. Please note, the paperback edition will be released on 23 April 2026.
•  £420 for twelve meetings with two facilitators, to include opening notes and resources.

Greek tragedy has a timeless quality. As Virginia Woolf writes in her essay On Not Knowing Greek, ‘the stable, the permanent, the original human being is to be found there. . . . In the Electra or the Antigone we are impressed . . . by heroism itself, by fidelity itself.’

Revenge, betrayal, lust, murder— but also courage, compassion, honour: Sophocles shows the heights and depths of human emotion. We are moved today by the tension between reason and emotion, fate and free will, law and individual conscience, just as people were in classical Athens.

This LitSalon study will go deep into the world of Sophocles as we read Oedipus Rex, Antigone, Philoctetes, and Oedipus at Colonus.  And we will explore the philosophy of tragedy with Aristotle’s Poetics and A. C. Bradley’s essay Hegel’s Theory of Tragedy.

JOINING DETAILS:

• Seven meeting live online study led by Sean Forester
• Sundays, 17 May – 28 June 2026, 4.00-6.00 pm (UK time)

  • 17  May –   Oedipus Rex
  • 24  May –   Oedipus, Aristotle’s Poetics
  • 31  May –   Antigone   
  • 7  June. –   Antigone, Hegel on Tragedy   
  • 14 June –   Philoctetes 
  • 21 June –   Oedipus at Colonus
  • 28 June –   Oedipus at Colonus, Tragic Painting and Sculpture

• £245 for seven meeting study on Zoom

REDUCED COSTS: we are committed to making our studies as affordable as possible. We have a fund in place to support anyone who would like to register for a study but finds the cost difficult to afford. We can’t promise to help, but please email us at litsalon@gmail.com in confidence if you would like to request a reduction in the cost of a study.