Salon feedback March 2013

Sunrise-on-Parliament-Hil-001The experience of the Salon resists easy definition–but to help those new to the studies, here are some words from recent Salons:

Thank god! This chapter really did not give me a steady place to hold on, but rereading (again, again, again!) on the train on the way back tonight, I can get the vibe coming through. Strange how a reading group unlocks that extra energies (something which the scientific mind cannot explain!)

I can now see the battle with the mother too, which shouldn’t be a surprise, as it is Stephen after all. (The battle with the father was more obvious, to me. ) It’s all there right at the beginning: A hesitating soul taking arms against a sea of troubles, torn by conflicting doubts, as one sees in real life.

Thank you again for this journey, it has made my year. –Ulysses participant, 2013

Thanks for being such a calming but persevering Captain Rehab–ever ready to straighten somewhat tossed limbs of thought and help us stand firm but open in our reflections. Moby Dick participant, Paris 2013

thanks infinitely for the salon. Not only was it fun, interesting, revealing, enlightening etc, but you have such a gift for
leading the group gracefully & intelligently. It’s not an easy or obvious thing to be able to do, & I for one really appreciated it.
A great evening.
Moby Dick participant, Paris 2013

It was a most enjoyable session and thank you for making us love such intimidating classics as Moby Dick, which we look at on our bookshelves, feigning to have read them … and for making those sessions so rich, so lively, so entertaining in spite of the themes.
Thank you, B. for welcoming the whole crew of whalers with a wonderful dinner in your beautiful place.
Thank you, companions in whaling for your bright and enriching insights.
Looking to the next session, whatever may be the topic.
Moby Dick participant, Paris 2013

This is why I read too or engage with the “objects” people make… I believe it is a duty and a privilege to witness and share in the lives of others, the people one loves or hates we are all on the same path, life itself is the great equaliser. There is no question that each text changes as one lives life, meaning is not fixed.

I ask this question all the time yet, with Ulysses I feel/see that there is a higher power which must have moved Joyce along for all the reasons you state below… xenophobia, hatred, alienation, all traits humans find so easy to conceive…. being “good” or “self aware” is the challenge. Clearly Joyce’s compulsion to bring the ancients to us, to see if we will learn from history and allow the “strangers” to dwell in our hearts with the hope that some of us will have the courage to change. –Ulysses participant, 2013

Where it is…where it went : London Salons in April 2013

UlyssesGuiness

Coming Salons in London: register now using the links to the events page
08.04.13,15.04.13 Poetry Salon at The Fields Beneath Cafe 3-4 PM (drop-in as room allows, contact me for details)
19.04.13 The Sound and the Fury Salon Intensive 18-22:30
26.04.13 Between the Acts Salon Intensive 17:30-22:00

There are moments (in some cases, weeks, months) when the unending challenges thrown at you make even the weather feel like a personal slam-down. Family illness, friends in need, work eruptions– all seemed to be in cahoots with this endless frigid weather. Even reading that this Arctic Spring may be in fact due to human fault did not lift the mood here–rather made it worse. These events have resulted in a reduced Salon schedule– April claims a new energy, new possibilites both in the Salon and in the world around.

A brilliant work of literature–combined with exceptionally lively minds: well, that’s the ticket. Throw yourself into a challenging read for a few weeks then join with a group of other committed readers and we warmed up the world within and without ourselves.
The recent Salons– the on-going Ulysses study, last weekend’s Moby Dick double-header in Paris–feed us with words, connection, and deeper understanding. Somewhere in the words of a careful craftsman, my own struggles became part of rhythm of life lived in company rather than an individual wound that isolates. The Salons are not therapy, but there is power and embrace in considering the struggles and triumphs of others through literature.

Look man, we’d probably most of us agree that these are dark times, and stupid ones, but do we need fiction that does nothing but dramatize how dark and stupid everything is? In dark times, the definition of good art would seem to be art that locates and applies CPR to those elements of what’s human and magical that still live and glow despite the times’ darkness. Really good fiction could have as dark a worldview as it wished, but it’d find a way both to depict this world and to illuminate the possibilities for being alive and human in it.
–David Foster Wallace

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