Salon Folks in the News

All those who have passed through the Salon offer themselves in the integrity of their ideas; there are also some exciting happenings in the offerings Salon participants make to our  cultural richness:

  • Published: Lynn Kramer, winner of the Ashram Award for her short story, was published by Virago in a collection of women writers exploring travelling: Once Upon a Time There Was a Traveller   edited by Kate Pullinger
  • Awarded: Ursule Thurrnherr was named ‘Human Racer of the Month‘ after a gruelling charity ride raising money and awareness around breast cancer and local Women and Health community  centre..
  • Blogged (deliciously): Julia Leonard, writer, foodie and all-round smart one has a wonderful blog that just gets you excited about cooking: http://thechiletrail.com   She also published lively interviews with some of the best food writers this weekend in The Independent.
  • Exhibited: Sandrine Joseph will be bringing her eclectic vision of Hampstead Heath to Burgh House from November 13th- 29th– email me if you would like to join the private viewing.

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Wide Sargasso Sea, Fury and Magic in November…

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THIS WEEK THE SOUND AND THE FURY STARTING TUESDAY 01.10 (four week study–only two places available) “Clocks slay time… time is dead as long as it is being clicked off by little wheels; only when the clock stops does time come to life.”

NEXT WEEK: WIDE SARGASSO SEA ONE meeting study; 5:30-10 PM Friday 11th October
“You can pretend for a long time, but one day it all falls away and you are alone. We are alone in the most beautiful place in the world…”

As I am preparing the wide Sargasso Sea study, I am immersed in Antoinette’s exotic and crumbling world of colonial Caribbean. Race relations are shifting under the strain of an anxious imperialism, the certainty of Western dominance fails in this world of blended cultures and desires. Bronte’s shadow falls on this work, but Rhys is not simply telling the back story of the Madwoman in the Attic. Wide Sargasso Sea explores passion that slips from love to hatred, the danger of roles and masks–acting and being; the imprint of place on a struggling identity, the roots of madness….all in a short work that weaves narrative voices and perspective, leaving stories open and motifs that point to resolution and answers without any finality. The lyric text will frame our discussion: the work provokes and we will gather all perspectives to illuminate this Gothic, postmodern novel.

Coming up:

The Sound and the Fury to start October 1st

flexibility

Sometimes flexibility is the key to success: to stop struggling and work with the resistance you are encountering…thus it is with some Salons when there is a lot of interest but a difficulty in aligning schedules. I know how rich this study can be: I know that Faulkner’s language struggles to communicate all that is agonising and destabilising in human relationships: his particular focus in The Sound and The Fury  is how family and cultural context combine to constrain the development of boys into men–and how the lost daughter becomes the image of all that is gorgeous and ruined in a crumbling world.

We start meeting next Tuesday October 1st; if you have ever been interested to understand the gothic world that Faulkner paints, this is a great work to explore.

Please visit the event page to register; upon receipt of your registration confirmation, we will send you the opening notes and meeting details….

Never be afraid to raise your voice for honesty and truth and compassion against injustice and lying and greed. If people all over the world…would do this, it would change the earth.
― William Faulkner

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Sign Up: Sound and the Fury starts this week; To the Lighthouse, Poetry & Magic Mountain

making choicesTime to Choose!!!

The Salons are starting this week; have you registered? The Salons thrive with your recommendation–please pass on the Salon news to those interested in the world of words and ideas…

starting Tuesday Sept. 24th 8-10 PM room for 3 more participants…

“They all talked at once, their voices insistent and contradictory and impatient, making of unreality a possibility, then a probability, then an incontrovertible fact, as people will when their desires become words.”  ― William Faulkner, The Sound and the Fury

October 2nd & 9th; 12-1:30 

1st Session: Wislawa Szymborska: “The Acrobat”, “Nothing Ever Happens Twice” and “Commemoration”

2nd Session: Robert Frost: “Birches” –for details, see the ‘Event’ page

Alone. Or even less than alone,
less, because defective, for he lacks
lacks wings, lacks them very much,
a lack which forces him
to bashful soarings on unfeathered
by now just bare attention….

from The Acrobat by Wislawa Szymborska

Friday October 11th; room for 3 more participants….

In Wide Sargasso Sea, Jean Rhys confronts the possibility of another side to Jane Eyre. The story of Bertha, the first Mrs Rochester,  the madwoman in the attic, is the subject of Rhys’ sensual writing. Wide Sargasso Sea is not only a brilliant deconstruction of Brontë’s legacy, but is also a damning history of colonialism in the Caribbean.

Starts Wednesday, October 16th meeting from 8-10 PM (please email me if you are interested in an afternoon TTL Salon)

“What is the meaning of life? That was all- a simple question; one that tended to close in on one with years, the great revelation had never come. The great revelation perhaps never did come. Instead, there were little daily miracles, illuminations, matches struck unexpectedly in the dark; here was one.”  from To the Lighthouse 

  • Magic Mountain by Thomas Mann (15 weeks, afternoon & evening Salons)

Starting end of October; evening studies on Wednesdays, afternoons Tuesdays 12:30-2:30; registration page to be posted this week…

Jumping for Joyce at the Francis Kyle Gallery until Sept. 25th

A few thoughts on Jumping for Joyce:

Contemporary painters revel in the world of James Joyce

At The Francis Kyle Gallery until September 25th…don’t miss it.

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I am always a bit hesitant about attempts to translate one art form into another: although there have been a few successful films based on great works of literature, the bulk of these collapse the narrative richness into a thin and emotionally manipulative vision of shining moments. The more entwined and complex the writing, the greater the challenge to capture this energy in another medium.

Yet, if you are playful…if you allow the words and images and voice of the writing to dance together with the idiosyncrasies of the writer—and if you choose a writer as wide and deep as Joyce—well, then there are possibilities. Since so much of Joyce’s work was autobiographical and located in specific places as seen from the obsessive perspective of an exile, there is much to work with when trying to visually present Joyce’s vision as wrapped around his words.

Francis Kyle challenged some of the best-known contemporary painters to respond to Joyce’s work and vision in their art. The result is exhibited in his gallery—it is bountiful and diverse and charged with large beauty of Joyce’s vision in exuberant and myriad ways. But look, here I am trying to put words to the saturation of images I experienced last Friday when I toured the exhibit—so much better to experience it for yourself! Even if you have not spent time in Joyce’s universe (gritty, sexy, musical, urban, mythic…), I think you will come away from the works with your brain humming.  The 2013 Ulysses study celebrated the vitality and beauty of Joyce’s art in our discussion. One of the participants happens to be an exhibitor; Psiche Hughes’ crafted Leopold Bloom’s cat: a sculpture that reflects the way humans slide into their pets—and the pets reflect back their humanity. We are all overlapping into each other: Joyce’s work shows this in both his characters and our response to them.

IN describing the project he offered to the artists, Kyle focuses on Joyce’s lightness in contrast to the ‘apocalyptic cast’ of many of the modernists:

Not so James Joyce, whose experiments in ‘modernism’, pursued on a solitary basis rather than part of a group effort, have a far more positive character. It is this joyful side to Joyce’s creativity, the ambition to chronicle comprehensively but sympathetically nothing less than the human condition, which has appealed to the twenty contemporary painters…

Details:

Francis Kyle Gallery

9 Maddox Street London W1S 2 QE

See website for opening times and information…and you might even get a libation –Joyce’s preferred—if you get there at the right moment. http://www.franciskylegallery.com37109 The noise of waters making moan

 

 

 

Autumn 2013 in London–Faulkner, Woolf and Mann; short stories and poetry

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“After doing my first Salon, I will never read the same way again: this study has made reading an active and inspiring experience for me…”

After several months away, the Salon is swinging back with wonderful previous studies and new works. For the moment, please email the Salon Director at litsalon@gmail.com with any questions or queries. The studies below are designed to support both readers who desire a shorter commitment and those who are looking for an extended immersion.  The Salon welcomes requests– if there is a great work you would like to study in depth with a gathering of other perspectives, let us know! If you know of another hungry mind looking to join a lively community of readers, please pass along their email so they can be included in the newsletters.

 

Coming London Studies

 

Summer Reads

It was a tough summer– I was pulled out of my life in London in the beginning of June to spend the last days with my mother …what followed was a few months of total immersion in the twilight world of death and dementia. These epic moments blast high beams back onto life as one lives it–suddenly revealing the gaps and jagged edges.  I come back to the Salons and London with a deeper knowledge of the realm of shadows and great appreciation for the communities that coalesce around a family in need.  I did find time to run some Salons in the Adirondacks where I spent the summer; from those and the final spurts of energy given from the  gorgeous Ulysses 2013 Salon,  we roll forward into a new season of great words and vital connections.

One of my buoys this summer were some beautiful books– Mark Doty’s Still Life with Oysters and Lemon  and Rebecca Solnit’s The Far Away Nearby.

Listen:

An emergency is an accelerated phase of life, a point at which change is begotten, a little like a crisis. Quite a lot of suffering often comes along with it, of mourning for what will be left behind–an old self, an old love, an old order–and of fear for what is to come, of the wrenching difficulty of change itself. The poet Jon Keats once referred to earth as “this vale of soul-making,” and its in emergencies and difficulties that souls are made. If an emergency is an accelerated emergence, merge is the opposite condition, “to immerse or plunge (a person, esp. oneself) in a specified  activity, way of life, environment, etc.” or “to immerse or plunge into liquid” or ” to cause to be incorporated, absorbed, or amalgamated.” 

–Rebecca Solnit, The Far Away Nearby p. 250

I hope the summer days have left you merged and emerging. See you in the pages…

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