January 2015 Salons– Joyce, Proust, Durrell & more

So much is happening in the Salons at the moment: rich and startling conversations on the nature of love, loss, human relationships, power, art and identity… BIG Salons starting in January on Ulysses, One night-Intensive Salonss on Wide Sargasso Sea and the Alexandria Quartet, an evening at the British Psychoanalytic Foundation considering Ulysses through a Freudian lens; upcoming studies at City Lit in Black American Voices and at the Jungian Institute on Modernist Poetry…2015 looks to be epic– in a Joycean kind of way. Enjoy the coming holidays– and come join us for some mind work…

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Starting third week of January: 20 week study of James Joyce’s Ulysses
*registration is open: the afternoon sessions are almost full…

There is a strong argument for studying this huge and intimidating text- book list chart-topper of 100 greatest books of all time, critics’ darling, most lauded/least read, the book that many literary academics dedicate their lives to studying…but you will only know for yourself by diving in. I believe the only way to study it is with a group of hungry, curious readers who all contribute to evoking meaning—through their questions as well as their insights. TheUlysses Salon will commence with a close study of the first section. Any time spent studying Joyce leaves one a better reader- a broader thinker- even if all the references, repetitions, epiphanies and allusions are not immediately understood. For more thoughts as to why do it, go to the event page...

Balthazar by Lawrence Durrell –2nd in the Alexandria Quartet: one-meeting Salon Intensive January 18th 5-9 PM

Lawrence Durrell’s Alexandria Quartet has provoked a variety of responses from ‘astounding tour de force’ to ‘flawed masterpiece’. Transcending critique is appreciation for Durrell’s stylistic elegance– the gorgeous form with which he explores the sensual and dangerous world of Alexandria in aftermath of WW II. Our study will also consider how the a Western mind portrays the Eastern world–and how we are all outsiders looking in.

 

SALON INTENSIVE Wide Sargasso Sea: 
Jean Rhys, an early Modernist writer, chose to explore Bertha Rochester’s history in her brief but crystalline work. In Wide Sargasso Sea, Jean Rhys confronts the possibility of another side to Jane Eyre. The story of Bertha, the first Mrs Rochester, Wide Sargasso Sea is not only a brilliant deconstruction of Brontë’s legacy, but is also a damning history of colonialism in the Caribbean.

Designed for those who are unable to commit to a longer study, the Salon Intensive provides a full immersion in a shorter work of literature in one 4 hour intensive study. Readers will want to read the work in preparation; we will share a potluck meal midway through the evening to feed our bodies while our minds are humming along…

In Search of Lost Time: Vol. 3 The Guermantes Way Monday evenings/ Wednesday afternoons starting first week of February 2015 –7 meetings … We have been enjoying the slowed-down reflection and deep consideration this  masterpiece evokes. As one Salonista said:”This is a velvet jewel of a book that demands the attention of a lover full of enchantment  and obsession ,we need not get impatient as all good lovers perfect their art in taking their time…”

 

 

Culinary Salon

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Salonista Julia Leonard is organising some wonderful conversations around food and memory– perfectly dovetailing with our Proust studies!

Join us for the third Divertimenti Culinary Salon as we explore the tantalising link between food and memory with top chefs, writers, philosophers and psychologists. Tickets cost £10 and can be redeemed against the purchase of books by Salon panelists on the night. The ticket also includes a 10% Divertimenti shopping discount* that evening.Hope to see you there:

http://www.divertimenti.co.uk/culinary-salon.html

“So, an expensive book club by any other name?”

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Comments on Kentishtowner article: “What exactly is a Literary Salon?”

No it’s not, because Toby really does offer a road into richer enjoyment and broader understanding of the books. She facilitates this with her developed inter-personal skills and gentle leadership. I belong to an excellent book group where we read classy literature but at the Literary Salon we get. as she writes above, a much deeper opportunity to explore, to gain insights into the work(s) on offer, because of the research she has done and the materials (books, photos, print outs etc) on offer.. but especially because of Toby herself. She is a teacher. We are stretched beyond book group discussion experience – it can be a struggle eg with James Joyce, but what a worthwhile life enhancing one. My experience of the Ulysses classes became pure pleasure & my husband and I took our summer holiday in beautiful Ireland. My only problem is with the term ‘Salon’ that to a cynical British ear can seem pretentious. These ‘classes’ are not.    –Carol S.

 

As someone who has enjoyed lots of Toby’s Salons, I’d say they are in-depth but informal, seminar-like discussions. For several hours you sit there and delve into ideas, voice your reactions, be inspired by or disagree with other people’s viewpoints — all the while, Toby guides and structures the threads of conversation with her own questions and observations. OK, it’s hard to describe, but it’s a rewarding, thought-provoking way to tackle a book (especially one as daunting as Ulysses), both reading it in on your own and then coming together with a group of interesting, like-minded people to talk it through casually, analytically. I used to come home after a Salon incredibly gratified! No question that, yes, as with a seminar, it’s worth paying for.  — L. J.

 

It’s more like a intensive class but in a relaxed setting. The joy is grappling with difficult works with others and finding new meaning in the words (and life). I’ve done many salons with Toby and have always left energised and curious to know and read more. Toby’s gift — and it is a prodigious one — is that she guides deftly, sharing her knowledge but allowing the group to push and pull and explore on it’s own.  –J. Leonard

 

A year after stumbling upon Toby’s salons, I can only say that they are less book club, more glittering literary seminar – clever and quirky and cool, but kind and welcoming and considerate too. They’re an adventure for any serious reader: vivid voyages into, through and beyond some of the most challenging yet rewarding pieces of world literature. Expensive? Seven to 10 quid an hour for some of the keenest, quickest thinking outside academia on, say, Ulysses or To the Lighthouse or The Sound and the Fury is a gift. PLUS the wine is gorgeous too. Join us!    I. Ramsey

 

Being a member of the original Parisian Salon, I think that from the other responses posted here, F will have now understood what it’s all about! Certainly nothing to do with a book club, and everything to do with study. And even personal development. And a bargain at the price!    D. Larking-Coste

Are there any drinks?  -Martin

Salon tradition is that we all bring something to share–sometimes a full table, sometimes just coffee and tea–but some nice wines have been quaffed and when we get really creative, occasionally the offerings match the writer or the work we are studying…innards, or Burgundy for example, with Ulysses.  –Toby

If I lived in London I would sign up immediately. Unfortunately I live in the U.S. Knowing Toby I can’t think of a more exciting experience than to participate in one of her Salons   –Noel Brakenhoff

Is there a discounted rate for people on a low income? I don’t think studying great literature is necessarily the preserve of the middle or upper classes, but simply cannot afford the £300 for the course.   –Chloe

 

There are a few subsidized places available on each course; please email me directly (toby@litsalon.co.uk) to inquire about availability and details…and I whole-heartedly agree with you: the study of great literature–or anything-should be available to all–and our conversations benefit from the diversity of life experiences and perspectives. Thank you for making this point.    –Toby

 

I’ve been in many book groups, and in many of Toby’s Paris salons.

What I feel compelled to add is that Toby has a singular gift for meeting people where they are — that alone would kick the salons out of the “expensive book club” club.   Dave F., Paris

 

Ditto on Dave’s comment. A fab place for academic and non-academic readers to meet on an equal footing.— Lizzy

 

Wide Sea, Justine & Unfinishable Novels

Coming Salons:
awakening

STARTING IN NOVEMBER:

SALON INTENSIVE Wide Sargasso Sea:
Jean Rhys, an early Modernist writer, chose to explore Bertha Rochester’s history in her brief but crystalline work. In Wide Sargasso Sea, Jean Rhys confronts the possibility of another side to Jane Eyre. The story of Bertha, the first Mrs Rochester, Wide Sargasso Sea is not only a brilliant deconstruction of Brontë’s legacy, but is also a damning history of colonialism in the Caribbean.

Designed for those who are unable to commit to a longer study, the Salon Intensive provides a full immersion in a shorter work of literature in one 4 hour intensive study. Readers will want to read the work in preparation; we will share a potluck meal midway through the evening to feed our bodies while our minds are humming along…


Justine by Lawrence Durrell (Tuesday evenings): 4 week study starting November 11th

Lawrence Durrell’s Alexandria Quartet has provoked a variety of responses from ‘astounding tour de force’ to ‘flawed masterpiece’.Transcending critique is appreciation for Durrell’s stylistic elegance– the gorgeous form with which he explores the sensual and dangerous world of Alexandria in aftermath of WW II. Our study will also consider how the a Western mind portrays the Eastern world–and how we are all outsiders looking in.

In Search of Lost Time: Vol. 2 Within a Budding Grove Wednesday evenings/ Wednesday afternoons starting November 19th –8 meetings (break for winter holidays) We have been enjoying the slowed-down reflection and deep consideration this  masterpiece evokes. As one Salonista said:”This is a velvet jewel of a book that demands the attention of a lover full of enchantment  and obsession ,we need not get impatient as all good lovers perfect their art in taking their time…”

 

Starting in January: 20 week study of James Joyce’s Ulysses
*registration is open: the afternoon sessions are almost full…

 

This week in the Guardian John Sutherland writes a list of the books he has been unable to finish. His comments–and the hundreds of readers’ comments that followed (Ulysses, Moby Dick and Absalom, Absalom!  figured largely in the comments as unreadable works)–did little to address the question of why reading a challenging work is valuable…so here is what I added:

‘Oddly no one is talking about WHY do the work necessary to read the challenging books– my work- or mission, perhaps- is to support readers in exploring the great & hard works– right now, am in the midst of a Proust study with a wonderful group of readers and am watching minds expand and connect as we move more deeply into questions around time, love, desire and the role of memory…Ulysses- the great unreadable–is one of the funniest & most accurate examinations of intimate relationships and the negotiations involved there that I have ever seen portrayed in any art.
We read these works to understand what it means to be human– and that takes time and effort and attention…if you want to tackle the big reads, try reading with a group. Moby Dick is mind-blowing–and Absalom, Absalom will offer insights into race, class, pride and sexual tensions that will blow your mind.’

So those who have just completed Absalom, Absalom!  and those who have tackled Moby Dick, Ulysses and Proust– well done. We are pushing against the tide of distraction and limited attention that reduces the mind to sound bytes.

http://www.theguardian.com/books/shortcuts/2014/oct/08/my-top-10-unfinishable-novels

 

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