Why Read Ulysses??

Than there is the writing: to grapple with the words and linguistic pyrotechnics of James Joyce—to enter into his exploration of the body, mind and street-life, to sit in awe of his allusions, musicality, interweaving structures and thematic developments is to expand the possibilities of the written word. Then to do this with a diverse group of other curious readers who are also struggling and discovering allows each reader to enrich their own understanding many fold. We laugh, we express our frustrations, we query meaning and purpose, we discover great depth in the language and vision of the writer.

http://www.economist.com/blogs/prospero/2012/06/james-joyces-ulysses

Coming Ulysses study: Eight week-Virtual Salon will get you two-thirds through this amazing work with all the support and back ground you need and a lively group of minds to bring pleasure to the journey…

Why read Ulysses?

By far the most thrilling reading experiences of my life have centred in Kentish Town, in a cosy sitting room in the home of Toby Brothers, the gifted director of the London Literary Salons. Each of the books we read was rich and challenging, but the thrill came from the distinctive style that Toby has evolved for guiding readers through a given text.

Deeply engaged with and knowledgeable about literature, Toby is highly developed as an agile guide, a careful instructor, and perhaps most important, a sensitive and infinitely patient facilitator to the small group of ‘students’ in her charge. She can unite participants of wildly varying levels of education, experience and interests, and help each to bring him or herself to bear upon the study of great works of literature. The thrill comes from the sense of discovery, adventure, and sheer good fun we get from our mutual exploration of a given writer.

A lifelong bookworm, I knew there were some works I just wouldn’t get the full meat of on my own – ranging from a slim and perhaps deceptively straightforward-seeming book like ‘Wide Sargasso Sea’ to novels like ‘Invisible Man’ with its deep racial themes, to Shakespeare’s plays, up the granddaddy of all English-major holy grails, Ulysses, by James Joyce. Toby and the London Literary Salon have been invaluable to fully tucking into these and many more. For each, I came away with meat and potatoes — a careful read bolstered by a side plate of critical insight and nuance unobtrusively provided by Toby.

But even better was the unexpected and satisfying savour of the personal and often marvellous insights that Toby draws out of fellow salon participants.Incidentally, many friendships have bloomed during salon studies and their associated adventures, such as travelling to Dublin for the annual, often raucous celebration of Ulysses and its creator.

The American novelist John Williams, author deplored the notion that literature is something to be picked apart, as if it were a puzzle – to be studied rather than experienced. ‘My God, to read without joy is stupid,’ he said. The  London Literary Salon will help readers to experience great books with joy.

Who’s Zoomin Who? Salon Goes VIRTUAL– Mind-food for the Socially Isolated

Feedback on Zooming the Salon—Virtual Reality March 2020

Proust Tour Four Zooms 19.3.20

“Thanks Toby, I wish everyone stuck at home had such an uplifting and entertaining group to spend time with each week. Looking forward to next time—”

(CD, Finnegans Wake)

“Thanks for yesterday, it seemed to go quite well, and I’m sure we’ll settle into it. There is something of ‘The Decameron’ about it, as we sit in our (virtual) ivory tower and talk about high culture while the world outside slowly winds down…It is certainly going to important to us if we are more and more confined to home.”

(JC—Proust tour 4)

Thanks so much for setting up last evening, I thought it worked brilliantly.
The only comment I have is that it is may be more difficult to have quite the same level of enthusiastic discussion we have had previously. I know I am guilty sometimes of jumping in and this form of interaction needs some space around it.
I love Proust so much. So here we are, looking at ourselves, where we’re all sitting, how we’ve set ourselves up, talking about the book while at the same time another dialogue is running through our heads!  Of course, the man’s a genius!
Just beginning to start on next part and know it’s going to make me cry. I’m very close to my 16-year-old grandson in Brighton and will miss him dreadfully over the next however many months. However, I have devised myself a schedule including exercise, meditation, watching movies, texting and calling family and friends and of course the wonderful on line Salon!

(EW, Prost Tour 4)

Thanks again for last night.  I really enjoyed it. It was interesting how we all settled into it quite quickly and it seemed to get up and running well pretty fast.  Yay!  I’m so grateful we can keep on with our work.  As John said, it’s so important to us, and I think it’s going to keep us sane in our cork-lined rooms…  I realised it must be quite intense for you though!  Hope you enjoyed it too.

Thanks again for thinking of it and getting it all organised.  You’re a star.

(RB, Proust Tour 4)

 

Positive Statements:

— It’s a wonderful way of continuing to be connected in these hard times

— in some ways, it makes it easier to concentrate on what one person is saying

— I love the individualities of our background scenery (Paul’s Bridge gets my prize this week, closely followed by Michelle’s lamp and those great shadows)

Mookses and Gripes:

— I do miss the ‘group-ness’ of people gathered together in one room

— I wonder if there is a way of presenting the page of text on screen? (We can argue about which text, later on, of course)

— And/or if we can figure out ways of sharing photos etc on the screen, as illustration (there MUST be a way!)

(RE, Finnegans Wake)

 

Thank you so much for letting me re-join the Wake.  It was very grounding to be able to join all of you in Toby’s virtual salon.  I was so inspired, I am attempting to set up a book group with my London expat friends who are now scattered to the four winds.  It will be a lighter read than FW, however.

(MM, Finnegans Wake)

 

I’ve not done anything like Zoom before, and it will take a few goes before I get used to it. However, I definitely think it is a good thing to do and thanks for setting it up.

During the session, while people were talking, I kept wondering what we imagine we see, when we stare at the computer? We have an illusion of eye-contact, but the other person’s face is a faulty mirror; we can cue into body language in a reciprocal way, when we are a dyad, but not a group. In the session, we become a group who is blind to everything except the mis-cued image on the screen. How very Proustian!

(NvF Proust Tour 4)

That was wonderful – really worked well and such an interested group  – it worked perfectly – gt to listen to everyone and plenty of time to talk and think.    Very special afternoon in this very odd way of life.      Looking forward so much to more…….   Let me know if you want more takers as I have a few  friends who might be interested…….

(SF– Faulkner, Yellow Wallpaper)

Yes, it was hard for me to not imagine everyone else was together somehow in Toby’s living room!

I think we can manage the decibel level better if we all wear headphones with little mics.. then you can speak at a natural level..  even using the cheap sets that come free with your mobile.Otherwise  utterly  marvellous to concentrate on something this crazy. As regards meetings, given the semi lock-down  I would certainly give serious consideration to continuing the work on the book for now.

(MD, Finnegans Wake)

 

“Thanks for the session tonight. It was really great to be able to do it. I found it easier then I thought I would!”

 

In a Dark Time

March 16, 2020

From Toby–

We are entering into a crisis that is unknowable. There are so many difficulties in this moment– it feels easy to get lost in the anxiety and uncertainty. My go-to coping mechanism is to DO SOMETHING– and not just hoard toilet paper (though I understand that strange temptation). I celebrate how local groups are reaching out to connect with the most vulnerable, I am finding the balance between social distancing and offering kindness in interactions. Meanwhile, I think it is important that we find ways to continue the rich and connecting work of the Salons.

For the current on-going studies (three Prousts and one Finnegans Wake): we will take it on-line this week. This is something I have always meant to do– and now is the perfect moment. This also opens up the possibilities for other on-line studies: once I have played with he technology this week, I will post some other studies that will be on-line at a reduced cost for those who would like a focused reading experience while at home in the coming weeks.

For the coming travelling studies: We are making decisions about these as we go forward. The coming Proust trip scheduled for mid-April, for example, will be re-scheduled for the fall. I will do everything possible to go forward with he trips as planned, but recognise that for everyone’s safety and peace of mind, several will need to be re-scheduled and that is going to present challenges for everyone. I really appreciate the patience and flexibility participants have shown thus far.

The middle-of-the-night thoughts are not about scheduling nor refunds, logistics –but about loss. Loss of loved ones, loss of friends, loss of certainty. In our last in-person meeting, one of the many wise souls I have come to know in the Salon community framed the time as a wrenching– and an opening. Perhaps we will get through this time with a different, healthier sense of ourselves and our connections to each other and the earth.

I hope for ease for all.

 

In a Dark Time

In a dark time, the eye begins to see,
I meet my shadow in the deepening shade;
I hear my echo in the echoing wood—
A lord of nature weeping to a tree.
I live between the heron and the wren,
Beasts of the hill and serpents of the den.
What’s madness but nobility of soul
At odds with circumstance? The day’s on fire!
I know the purity of pure despair,
My shadow pinned against a sweating wall.
That place among the rocks—is it a cave,
Or winding path? The edge is what I have.
A steady storm of correspondences!
A night flowing with birds, a ragged moon,
And in broad day the midnight come again!
A man goes far to find out what he is—
Death of the self in a long, tearless night,
All natural shapes blazing unnatural light.
Dark, dark my light, and darker my desire.
My soul, like some heat-maddened summer fly,
Keeps buzzing at the sill. Which I is I?
A fallen man, I climb out of my fear.
The mind enters itself, and God the mind,
And one is One, free in the tearing wind.

 

March 2020: Coming studies and new postings

Courses coming with spaces remaining:
Beloved four weeks starting mid-April
The Years—Five-day intensive study in St Ives April (two spaces available)
Yoga and Literary Retreat in Umbria early June of Henry James: The Portrait of a Lady –one space available
A Mercy Two meetings; June 2020
The Iliad  One-week travel study on the island of Agistri in Greece September 2020

We are trying to squeeze in a few more studies in the coming months—I am inspired by a recent study of Toni Morrison’s A Mercy and am offering a short study of this powerful work in June. Having just finished a rich study of Jazz with Geoff Brown we realised how much is packed into these fluid pages—I need another look– aiming for a study in the autumn.
Coming in April, I am offering a Beloved four-week study—this is such a complex and powerful read, each tour through the loaded and lyric pages yields insights on racism, parenting, the claim of the ancestors, the hunger for beauty in an abject world…

After two sold-out trips to Greece to read Homer’s Odyssey, we’re very excited to announce a week-long study this September in Greece to explore the Iliad. This time, facilitator Mark Cwik will be your guide into Homer. Mark is just wrapping up our study here in London of the myths and legends of Troy, and will be bringing that rich background to this immersion into the world of the Iliad.

I am preparing my first study of Virginia Woolf’s final book, The Years. We are combining this with the essays she composed (gathered in the Leaska-edited volume The Pargiters)  to comment on the politics she was addressing through the fiction. This study, five days in beautiful St Ives, is a unique opportunity to delve into the on-going question of the ability of narrative art to act politically. Woolf also looks directly at the sexual suppression of her time and how this translates into broken relationships in intimate as well as social spaces.
The group currently moving through the layers of honeysuckle and nihilism in Sound and the Fury have found much to consider—and as with many studies, our work will extend beyond the final meeting with an after-math gathering. We will endure.

The current long-term studies in the Salon exemplify the connections and depth available when we spend time intensely  working through the web of ideas held in significant literature. These long-term studies also provide a safe space to consider afresh the hard parts of our lives. Great art reflects the contradictions of ourselves—and in our work together, we move beyond the limits of our own perspective and experience.
Our Finnegans Wake group has been meeting for two and half years—and we aren’t done yet. Each meeting covers about five pages of text—in that time we may travel from Paradise Lost references to Emily Dickinson, sexual exploits to toxic masculinity, cyclical history…and constantly opening ourselves to the work.
There are currently three Proust groups moving through In Search of Lost Time. The Thursday group travelled to Iliers/ Combray last spring; this year we will spend a weekend together in Paris that includes a visit to the Hôtel Littéraire Le Swann curated as a passionate tribute to the writer and his vision-—as well as a stay in ancient convent and visits to museums that expand our knowledge of Proust’s world and French history and art. The two Wednesday groups are deep into the Guermantes Ways—turning over ideas about constructed femininity and masculinity, the unshakeable nature of social power systems, the vulnerability of our constructed identity, love as performance art…. I hope to start a new Search in the autumn.

We are living in truly challenging times. I continue to find some salve in the beauty of the literature, the passionate response to the realm of ideas offered in the Salons—and the generosity Salonistas show in our work together.

Toby

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