Bloomsday 2022

The heaventree of stars hung with humid nightblue fruit…

Photo (Brownstown Head, Co Waterford) by Will Francis on Unsplash

Those who have not YET read Ulysses may wonder what all the fuss is around Bloomsday, 16 June. There are those books you read that shift your world view – adding more intense colours to the interior and exterior landscape, have you rolling a favourite line or two sweetly in your mind – and then there are those few works that blast the mind right open: frustrating, challenging and ultimately symphonically exploding your understanding of what language can do, of what we might be able to understand about ourselves, each other, through the medium of language. Ulysses is the latter. 

Having stumbled, trotted and slip-slided through this beautiful work many times now with such wonderful minds, Ulysses is in my bones – constantly reminding me that any given day, for any regular person, can be epic when we attend to the mind’s stream…Always passing, the stream of life, which in the stream of life we trace is dearer than them all….

On this, the 100th year anniversary of Joyce’s publication, the Salon is proud to highlight some of the many ways readers and would-be readers celebrate this work that warmly embraces the rhythm of life. 

  • On Sunday 12 June Nick Midgley’s radio play Bloomsday will be broadcast on RTE’s Drama on One (more to follow on this).
  • On the same day in London the Balloonatics (joined by, ahem, me) will enact the second annual Tufnell Park Bloomsday Walk.
  • Meanwhile, a group of Ulyssians and Wakians from the Salon will head to Dublin to experience the carnival in the streets that celebrates this bounding work.

Reading Virginia Woolf in St Ives

Photograph: Janet Minichiello

Having just wrapped an incredible study of The Years in St Ives, I am inspired. We encountered a new book (for me and for the Salon). We were a tentative group — some knew some, some knew none — and all were in the wild and constantly changing weather of St Ives.

Our meeting space was in the wonderful Porthmeor Studios, with windows of stained glass made from the sands of the sea below us. This special space was renovated to honour the rich history of artists and fishermen who have worked and created here for centuries. Now the walls also hold the words of Woolf and the thoughts she inspired in us.

To be together after months of isolation and multiple postponements, to be in the surging air and seas of Cornwall, to face and grapple with Woolf’s contemplation of fragmentation, of breakdown (social, political and domestic), of ‘obdurate language’, to find our way through to our own shared epiphanies in the face of her shards: this is what is so deeply satisfying about these retreats. 

In The Years, Woolf tries to use fact to find truth in the expanse of fiction, but this is an uneven attempt from a writer who sings so beautifully the realm of interiority. She experiments — and finds a play between — the snapshots of nature at seasonal moments, the movement between light and shadows, between what we say and what we mean. Setting the work to span the twilight of the Victorian era to the ‘Present Moment’ (unspecified, but most agree 1932), we move with a London family through meals, parties, deaths, war and structural change. There are moments of pure lyric flight and moments interrupted — profound thoughts uncompleted, intense connections unrealised, desires frustrated. For the better part of a week, twelve of us lived with this work, the discussions not stopping after the sessions, but seeping into our dinners, walks and swims. 

It was an incredible experience to be with a group of hungry minds in a beautiful place, as we dug deeply into the complexity and richness of Woolf’s vision. And then there were moments of hilarity: was that an orgasm on the train? Do we need to comment on the stain on the wall? And what’s the fuss about lavatory vs. bath? There were moments of discomfort as we worked to situate the antisemitism that Woolf portrays — is this her own, or her reflecting a difficult world, or the struggle for the artist against the press to speak politically? 

Together, we came to some extraordinary understandings. And then there were rainbows, and Sheila sang . . .

For anyone who fancies joining our next trip to St Ives, we are beginning to plan for Spring 2022. In the meantime, a new study of Virginia Woolf’s Mrs Dalloway begins on 11 October and there are still places left!

Finishing In Search of Lost Time; starting In Search of Lost Time

“The work of the artist, this struggle to discern beneath matter, beneath experience, beneath words, something that is different from them, is a process exactly the reverse of that which, in those everyday lives which we live with our gaze averted from ourselves, is at every moment being accomplished by vanity and passion and the intellect, and habit too, when they smother our true impressions, so as entirely to conceal them from us, beneath a whole heap of verbal concepts and practical goals which we falsely call life.” — Marcel Proust
I can’t believe I am about to finish another 2.5 year study of Lost Time– and then starting another journey in April. Perhaps by the end of the third study, I will have grasped Proust’s metaphysics. Then again, maybe not. I do feel my mind has grown.
Here is a perfect description of what it is to finish Time Regained: (thanks to GK–resource maestro) 
A Visit to ‘the Desert of After-Proust’
https://themillions.com/2017/06/what-would-proust-make-of-social-media.html
The other source of melancholy I feel as I crawl towards the final moments of Time Re-gained is the loss of the company of this incredible journey– the current group has held the course through winter & summer, through the windings of jealousy and self-consideration, through moves to Sweden, art shows, work and family challenges, losses, swims and Brexit… we have gathered each Thursday and savoured the language, walked through the ideas and held the art in our imagination together. It is a beautiful moment–and I shall miss it.
Thank you for travelling this way with me.

Toby at TEDx Camden

On February 15th at the Atrium in Camden, Toby was one of the speakers at the TEDx Camden event. Here is her talk on “Disabling Racism through Literature”:

 


Toby leads the London Literary Salon with offerings in Paris, New York, Toronto and other sites, where she facilitates dynamic literary seminars. Using innovative education techniques that emphasize inclusion and exploration, Toby uses each participant’s lived experience and knowledge to build a dynamic reading of the literature. Her interest in literature concerned with race arises from exploration around identity and history, as well as the empowering experience of challenging racism with art. She has a unique ability to guide individuals through difficult & provocative territory in exploring creative expression.”

 

Reading the Body : Yoga And Literature

I fight time. All the time.

I frequently negotiate in my mind how I can squeeze in one more activity/outing/date—and how I can get from one place to another without factoring in travel time. I underestimate how long it takes me to transition from swimming to getting on my bike and dashing to teach in Covent Garden—not once, but weekly. I think I have an uncommitted day coming and quickly lose it in an avalanche of projects. Hours set aside for writing and research collapse into answering emails, laundry and – I don’t know? Responding to Facebook messages, organising Scout’s social calendar, re-shelving books.

 

Last year, my friend & Salonista, Jackie, started running Yoga sessions in her home. I didn’t think I had any time, but I dipped in… in another lifetime, I had a yoga practice that I enjoyed; it was one of the parts of my life that was lost in the shuffle of changing continents.

I have continued with Jackie’s class for a variety of reasons—making time for it (there is a phrase that should be questioned: you can’t actually make time & it is dangerous to think you can..) on Saturday mornings.  Jackie is a gifted teacher of yoga. Her attentiveness to each body and mind in the room is impressive; she walks into the positions with us and gives us detailed proposals to use in manouevering our bodies for deep stretching and awareness.

The hour & 20 minutes I spend in her living room allow me to open my body and quiet my mind. I didn’t realise it was SO LOUD in there until the clamorings trail off. There are moments (I know, I know, it should be the whole time) when I am truly able to focus on my body’s movement and how each posture ripples across joints and muscles—pulling here, releasing there. I am in awe of the movement of the body—its strength & flexibility when I am really attending to its flow.  I f I arrive at class caught in the maelstrom of a bad moment, the practice settles me down. This can be healing—but it can also create an unexpected release: one time, Jackie placed her palm on my back in the midst of a posture and said quietly: ‘let it go’….I burst in to tears. In that moment, nothing had ever felt so relieving.

 

The time in the class also does what I often miss in social interactions. At parties or meeting friends at the pub, time feels sped up—encounters are glancing, skating on the surface—there is too much stimuli as you move from topic to topic, amongst various diverse people—I always feel the jagged fragments of unfinished conversations after the gathering.

At the yoga session, we speak briefly at the start—and then slip into the realm of movement and concentration. I can think about the interactions I had with friends at the start—and be more thoughtful in my responses after the class ends. I can hold their words and feel the weight of the thoughts and experiences of others—not just dash to the next anecdote or life challenge.  The experience of the yoga expands time –and I can relax my shoulders and taut spine into the moment, the fellowship.

 

Yoga practice dovetails with the deep awareness a good Salon session offers. So when Ann Moradian of Perspectives in Motion in Paris approached the London Literary Salon to collaborate again on a retreat bringing together the study of great literature and a deepening sense of self through movement workshops, this seemed like a perfect moment. We have organised the retreat—at a beautiful chateau on the shores of Lake Annecy—around human connection to ourselves and the natural world—a troubled and powerful relationship—and a crucial one.  The literature we will discuss uses The American Transcendentalists (Thoreau & Emerson) as a starting place for a philosophical view of our identities in nature; then we will turn to the contemporary writer Marilynne Robinson for a sustained meditation in her fictional work Housekeeping on grief, healing & radical re-imagining of our idea of home.

For more information and registration, please go to the listing for Reading the Body Retreat on the website.  ** Please note: the date for the Retreat has been changed to late June 2018**

Free study of George Orwell’s 1984 in October

ONE BOOK, MANY CONVERSATIONS

 

At the core of a democracy lies conversation.  The ability to talk with one another about the issues before us, to come together and share our many perspectives is a vital aspect of a thriving democratic society.  Discussions grounded in a book can be particularly fertile for productive exchanges – giving everyone in the conversation a common point of reference for examining and articulating their ideas.

 

Join us for a nation-wide conversation on George Orwell’s 1984 from October 9-15, 2017.

 

Participants from around the country will gather, online and in local groups, to discuss George Orwell’s novel 1984.  Together we will delve into 1984, a book that raises questions that are at the core of living in a democracy, including the nature of citizenship, the sources of power, and what it takes to be a leader, to be courageous, and to love another human being.  These themes are broad, common to the human condition, and cross all partisan boundaries.

–Mark

LLS facilitator Carol Martin-Sperry publishes Joyce Mansour poetry

So very impressed with our very own Carol Martin Sperry, who has just published her translations of the gorgeous & sensual work of French poet Joyce Mansour.

 I opened your head                “J’ai ouvert ta tête

  To read your thoughts             Pour lire tes pensées

  I crunched your eyes                J’ai croqué tes yeux

  To taste your sight.                   Pour goûter ta vue.

  I drank your blood                     J’ai bu ton sang

To know your desire                  Pour connaître ton désir

And your trembling body           Et de ton corps frissonnant

    Became my food.”                     J’ai fait mon aliment.”

 This gorgeous work is available for purchase is available to buy at www.indigodreams.co.uk

New Year, New Space!

nice-green-cafeWe are pleased to announce an exciting collaboration between The London Literary Salon and the Nice Green Café. Just as we are reaching capacity at the Salon’s longtime home, Helen Tindale has opened Nice Green Café and Arts Club right up the street on Fortress Road in Kentish Town. Nice Green Café is an atmospheric eatery (with great coffee and home-made cakes, among other treats) that includes space for artistic community events.

Next month, we will start holding some of our studies there. Salon participants are encouraged to purchase a drink and/or a snack—but if this is an issue for anyone, please do let us know and we will accommodate participant needs.

This Saturday afternoon & evening, January 7th, Nice Green Café will be hosting a New Years Open House with food treats and free activities. Mark & I will be there—I will host a brief poetry study at 5 PM for all interested (details below). Feel free to drop in & learn more about this vibrant space!

Nice Green Cafe is located at 53 Fortess Road, Kentish Town, NW5 1AD.


On January 7th at 5:00 p.m., the London Literary Salon will offer a free, open discussion of a poem. No preparation is necessary; we will provide copies of the poem and will start by reading through the poem together.

The purpose of the session is simply to discover the poem together through a facilitated discussion that uses the text of the poem as our springboard. The Salon welcomes all curious minds who are interested in discussing how language works, how we discover human experience through literature—and all the other unexpected insights that occur in reflection of a provocative work of literature. All are welcome! If you have any questions, please email Toby: litsalon@gmail.com

 

. . . Poetry arrived

In search of me. I don’t know, I don’t know where

It came from, from winter or a river.

I don’t know how or when. . .

–Pablo Neruda

 

For more info on the Nice Green Café, visit their Facebook page.

The Joyce Girl book launch — conversation with Annabel Abs

JG 9781907605871

London Literary Salon exclusive

21st June 2016 7-9 PM  at The Pineapple Pub
RSVP  litsalon@gmail.com to secure a place….
We will be continuing to celebrate Bloomsday with a launch of  the Joyce-themed novel by Annabel Abbs exploring the story of Lucia Joyce. Annabel and I will discuss the book and the Joyce family with an opportunity for participant questions and comments– interactive in  the Salon tradition.
There will be images of the Joyce family, books for purchase, and an atmosphere of celebration of our work together.  In memory of Lucia Joyce, all Annabel’s profits from book sales are going to a charity called YoungMinds which helps children and young people with mental health issues.
The Joyce Girl is a prize-winning debut novel that tells the story of Joyce’s only daughter, Lucia.  A dancer in 1920s Paris, Lucia had affairs with Samuel Beckett and Alexander Calder, before her father sent her to Switzerland for  pioneering  psychoanalysis with Carl Jung.  Considered by some scholars to be a Muse for Finnegans Wake, she spent the next fifty years, until her death, living in a Northampton mental asylum. The novel, which has been sold to publishers across the world, can be pre-ordered at https://www.waterstones.com/book/the-joyce-girl/annabel-abbs/9781907605871. Read more at www.annabelabbs.com.
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