One of the wonderful innovations in publishing is a trend towards grass roots projects– though in this case, water roots may be more appropriate… The community at the Kenwood Ladies Pond has been a source of inspiration and regeneration for me and many others– and some of these adventurous women have collaborated on this beautiful book. Full of carefully researched walks within a train’s journey from London that include a wild swim en route: just in time for the summer season…let this book inspire you to the enlivening waters.
It can be purchased from the Guardian bookshop at a discount:
T.S. Eliot’s The Waste Land
Location: The SAP, 1 Daleham Gardens, London NW3 5BY
Dates: 9 March, 16 March & 23 March 2015
20:30 – 22:00
with Toby Brothers
April is the cruellest month, breeding
Lilacs out of the dead land, mixing
Memory and desire, stirring
Dull roots with spring rain.
Participants will be provided with pre-session reading material and will be asked to read and think about a section of the poem for each event.
The facilitated discussion will use the text of the poem as a springboard for our conversation; participant questions, responses and ideas are welcomed to help navigate the challenges of the work. There is no expectation of previous study or work with the poem nor in the academic tradition: this study will challenge and invigorate the first time reader as well as the life-long lover of T.S. Eliot’s extraordinary vision.
The poem can be found in T.S. Eliot’s Collected Poems 1909-62 (Faber & Faber; ISBN-13: 978-0571105489).
SAP Poetry Series Convenor: Jay Barlow
The course is limited to 12 participants.
Fee: £25 for all three evenings To Register: http://www.thesap.org.uk/calendar/368/198-T-S-Eliot-s-The-Waste-Land
Toby Brothers, Director of the London and Paris Literary Salons
Toby Brothers (MA Education, Literature) has run the London Literary Salon for the past 10 years. Her experience includes facilitating literary seminars specializing in the most challenging Modernists (Joyce, Woolf, Faulkner, T.S. Eliot) as well as classical works for adults. Her approach uses innovative education techniques that emphasize inclusion and exploration, using each participant’s lived experience and knowledge to build a dynamic reading of the literature. A master teacher and a mentor, she has over 25 years of student-centered teaching and seminar experience in France, the USA, Japan and the UK.
Discover the re-emergence of salon culture around the world, proof that the art of in-person discussion—whether scholarly, scientific or creative—is not yet lost.
By Toby White
from the Four Seasons Magazine Winter 2015
A modern iteration of the traditional literary salon, Salon London organises monthly gatherings showcasing experts in the worlds of science, the arts and psychology. –
Photography Helen Abraham
In the fall of 2003, California teacher Toby Brothers moved to Paris for her husband’s job. For her, the romance of the move, the thoughts of idling away days along the Seine, were soon overshadowed by the realities of integrating herself into a new culture, learning a new language and settling into a new city. One evening, a chance encounter at a cocktail party led to an in-depth discussion of her passion for teaching and a favourite book—Beloved, by Toni Morrison—prompting a new idea. What do you do, as a literature teacher, to embrace your new environment in one of the world’s most cultured cities? Why, you set up a literary salon. This is Paris, after all.
Hotbeds of creativity and progressive ideas, salons are synonymous with the French Enlightenment. The salonnières most associated with the early days are women such as the colourful Madame Geoffrin, who ran arguably Paris’ most famous salon in the mid-18th century, hosting writers and artists. Women led many of the early salons in Europe, creating an important outlet for voices that otherwise might not have been heard. And women are often the catalysts in the current movement.
Today salons have had a renaissance, perhaps as a pushback against the decline of face-to-face human contact in our digital age. From poetry brunches to multimedia presentations in art galleries to scientific discussions in converted warehouses, these gatherings point to the universal need for personal interaction and mental exercise. They allow people to come together to increase their knowledge and hone their tastes through conversation and the exchange of ideas. Their mission is to allow debate, to stoke passion and to inspire.
“Part of my inspiration was Natalie Clifford Barney,” Brothers tells me, “another American expat who ran what was dubbed ‘the liveliest salon in Paris’ in the first half of the 1900s.” Brothers set up her own salon in Paris before moving again, this time to London. Now, her London Literary Salon is based in her living room, where patrons tackle such weighty authors as Joyce, Proust and Faulkner. So, I tell myself, a salon is basically a book club. But I quickly learn that I’m oversimplifying: “We use the literature as a launch pad for deeper discussion,” Brothers explains. “It’s a means to an end rather than the end in itself. The literature is a road map to the bigger questions.”
My first lesson is learned: Salons are for the free exchange of any type of stories or ideas. Some salons marry a literary theme with a broader sense of culture or art. Inspired by an invitation to read from her then-in-progress novel at a SoHo art gallery, New York–based writer Vica Miller set up a multimedia salon in 2009. Her idea was to emulate the salons of 1920s Paris salonnière Gertrude Stein and those of St Petersburg—a city important in her family background—with writers reading from new work amid contemporary art. “The multimedia component is important to me, as I love such synergies,” Miller says. “People connect on a different level because hearing a good story read aloud against a backdrop of amazing art is a transcendent experience.”
Other salons are completely removed from literature. I recently attended an event at Shoreditch House, a members’ club in a converted warehouse, organised by Salon London. The word “literary” doesn’t feature in its objectives of “Science, Art, Psychology.” Co-founder Helen Bagnall says, “People come from all disciplines and want community and intelligent entertainment.” So what’s up for discussion? “In some ways, we’re what television should deliver,” Bagnall says. “If a salon works, the audience will hear something they’ve never heard before, pick up a new skill, and go away wanting to find out more.”
By the time the salon starts, some 50 people fill the room, with stools taken from the bar next door and standing room only. The Shoreditch House library seems more like a Lothario’s living room: huge velvet sofas, deep leather armchairs and faded Persian rugs. A zinc-topped table to one side forms the centrepiece of a makeshift but elaborate bar. David Nutt, a professor of neuropsychopharmacology, speaks on what medicines do to the brain. The subject: “The Truth About Drugs.” In the spirit of the salon, he sits, speaking in a conversational manner, inviting comments and questions. While it wasn’t a subject I would have expected for a salon, it was an insightful, witty, often challenging and thoroughly engaging affair, imbued with human interaction, laughter and the frisson of participation. I left energised, enlightened and intellectually stimulated. And I’d learned another lesson: Salons aren’t just a lot of people attending a reading or lecture. Even though modern salons may not be held in private sitting rooms and may be guided by a lecturer, the key is casual interaction and the exchange and growth of ideas.
London salons have become the vogue in recent years, and not simply for emerging writers. At the top of the list, playwright and journalist Damian Barr leads monthly events where established authors read from upcoming works and pitch ideas. The gatherings have gained such repute that they are now attended by the glitterati as well as the literati. Past sessions have featured the likes of David Nicholls, John Waters and Bret Easton Ellis. Barr has taken his literary salon abroad, too, holding events in Moscow and Istanbul. Which leads me to my next realisation: Modern salons aren’t held only in Paris, London or New York. (In fact, salons first developed in the Middle East.)
The movement is gathering fresh momentum globally. Salons in the 21st century cross borders, languages and even the digital wall. In Dubai, amid a thriving arts and culture scene in the UAE, American expat, blogger and writer Danna Lorch has observed bibliophiles setting up their own discussion groups through Twitter and local literary festivals. “During Ramadan,” Lorch says, “the trendy thing to do after iftar, the breaking of the fast, is to head out to various cafés for literary salons and open-mic reading nights.” Here, the salon culture leans more towards poetry. It’s a tradition in the Middle East that dates back to the Middle Ages, with its recent incumbents led, in part, by Sheikh Mohammed bin Rashid Al Maktoum and his son, published poets who write in both English and Arabic.
Punch and The Poeticians, both run by poets, lead the new salon wave in Dubai. Punch is a short way of saying “poetry bunch.” Lebanese poet Zeina Hashem Beck organises the monthly event at BookMunch, a Dubai literary café. The Poeticians, founded in 2007 and also active in Amman and Beirut, is “an elastic entity welcoming anyone willing to share bits of their linguistic light with us in English, Arabic or French.” Both groups rely on Facebook for communication. So my next lesson, and perhaps the most surprising, is that yes, salons are about personal, often face-to-face, communication, but they aren’t forums for Luddites. Even if they develop as a reaction against the impersonal qualities of digital culture, today’s salons don’t distance themselves from the digital arena, but embrace it. Digital tools are encouraging salons to form and to grow: connecting people, distributing content, even offering salon events as podcasts.
Of all the salons around the world today, perhaps the Sunday Salon is the ultimate example of how salons are proliferating and reinventing themselves. Started in New York in 2002 by Alaskan Nita Noveno, the salon runs monthly events at Jimmy’s No. 43, a bar and restaurant in the East Village. Like many other salons, it was designed to encourage new writing and allow emerging writers to find an audience. It wasn’t long, though, before a counterpart group was set up in Chicago—and another in Nairobi. Thanks to Noveno’s use of the internet to encourage others to create similar groups, Salon Nairobi emerged in 2007 out of a partnership between Noveno and June Wanjiru Wainaina, founder of Kwani? Readings. Salon Nairobi has grown into quite the literary machine, publishing and distributing content, running festivals, offering tutelage, and making global connections.
This leads me to the most important thing I’ve learned about modern salons: In contrast to the aristocratic leanings of earlier salons, today’s groups depend on the principle of equality—of all opinions being valuable and up for discussion rather than attack. This latter point is something that’s often a lot easier to adhere to in face-to-face conversation; think of how much more tempting it is to dismiss an idea in, say, an online comments forum.
Literary salons have emerged for all manner of skill levels. Many offer a nurturing environment that novice writers may not find elsewhere. New York’s Pen Parentis, for writers who are parents, takes place in a hotel bar—with literary ambitions fuelled, presumably, by a much-needed cocktail. The Franklin Park reading series, held at the eponymous Brooklyn beer garden, features “emerging and established fiction writers, memoirists, poets and story-tellers,” highlighting “local talent and authors from around the world.” Lit at Lark showcases local authors in Brooklyn’s Lark café.
The environment may have changed, but the reasons for salons remain the same. “People get inspired,” says multimedia salon founder Miller. “Afterwards, writers have told me, they’ve gone back to their own writing desks to finish manuscripts in progress. Many have said they felt enchanted by the nurturing and creative atmosphere. New friendships are forged as people connect and have conversations on a deeper level, and a couple of writers secured an agent and a publishing deal after reading at the salon.”
The salonnière Madame Geoffrin would be proud.
– See more at: http://magazine.fourseasons.com/travel-food-style/things-to-do/experiences/salons-around-the-world#sthash.U729ljOx.dpuf
Hosted by the British Psychoanalytic Association: Staying Connected
with Toby Brothers, Director of the London Literary Salon
Discussant: Mary Twyman. Psychoanalyst BPA BPAS
Chair: David Morgan. Psychoanalyst BPA BPAS BPF
Friday January 23rd 7-9:30 PM £5 Donation
Meeting at: British Psychotherapy Foundation 37 Mapesbury Road London NW2 4HJ
Why specifically is a study of Ulysses useful in psychotherapeutic practice?
Reading and discussing Ulysses provides an excellent and broad platform from which to develop and study the theory of mind. Although the characters are syntactical constructions, Joyce’s genius with language creates beings of depth and complexity while he uses a myriad of styles, allusions and shifting registers to ground our understanding whilst expanding linguistic potential.
In Ulysses, the space between exterior and interior realms is probed and disintegrated as the form of the writing reflects the fluidity between the language of our minds and what is translated into exterior speech. We come to know Bloom and Stephen through thought, sensory impression, memories, fantasies, anxieties, hauntings, humor, relationships, and all the detritus that floats through the mind of an ordinary man on an ordinary day.
The book also engages questions and stances around gender, sexuality, identity theory, cultural taboo, prejudice, nationalism, myth, self-determination, political oppression….the endless nature of the list does not point to a vagueness in the work: in fact, in all the areas that the narrative delves, the explorations are substantive and tangible.
Reading this book reveals the incredible depth of the text and the innovative brilliance that Joyce employs to create the most insightful revelation of human mind to date. Toby Brothers.
Contact Ju TOMAS-MERRILLS: jutm@me.com to reserve…
L U S I T A N I A R. E. X is an historical fiction account of the sinking of the Lusitania replete with spies and secret societies, super weapons, millionaires and martyrs. After being struck by a single torpedo on May 7th 1915, the Lusitania sank in only eighteen minutes. Passengers such as Alfred Vanderbilt, one of the wealthiest men in the world, ignored warnings from the German embassy, confident the fastest ship in the world could outrun enemy submarines.
Since the time of her sinking, the Lusitania has been wrapped in mystery and intrigue. Experts continue to debate the cause of the second explosion that sealed her fate after the torpedo struck. Imperial Germany immediately claimed she was loaded with explosives destined for the front. Why did the Admiralty withdraw her escort ship? Who were the three German stowaways arrested shortly after sailing? Why did Alfred Vanderbilt give away his lifebelt?
L U S I T A N I A R. E. X weaves fiction around the known facts to create a plausible explanation of some of the mysteries surrounding her sinking. The book describes how modern, mechanized war with its zeppelin raids and poison gas brought to an end the gilded age of Newport, Edwardian England and Imperial Germany and Russia. The story unfolds on both sides of the Atlantic Ocean in settings that range from gilded palaces and the Lusitania to the blood-soaked trenches of Ypres
The launch party for the book will take place on Tuesday, November 25th at the Royal Institute for British Architects in London. If would like to receive an invitation to the launch and book signing event please RSVP to Helen Lewis at Literally PR (helenlewis@literallypr.com<mailto:helenlewis@literallypr.com>
Salonista Julia Leonard is organising some wonderful conversations around food and memory– perfectly dovetailing with our Proust studies!
Join us for the third Divertimenti Culinary Salon as we explore the tantalising link between food and memory with top chefs, writers, philosophers and psychologists. Tickets cost £10 and can be redeemed against the purchase of books by Salon panelists on the night. The ticket also includes a 10% Divertimenti shopping discount* that evening.Hope to see you there:
The Salon community in both Paris and London is full of lively minds and happenings…below are just a few that have crossed my radar– feel free to send along your event or offering!
from Nora Connolly–(no, not that Nora)–friend of the Salon A CELEBRATION OF JAMES JOYCE’S ULYSSES
On June 16, Blacktooth Productions celebrates Bloomsday, the day on which James Joyce’s Ulysses is set, with readings from the novel and an account of some of the more extraordinary aspects of Joyce’s life.
Nora Connolly and Oengus Macnamara will be doing the readings and there will be music from Martina Schwarz (accordion and vocals).
‘Full Bloom’ takes place on Monday, June 16 in the Lord Palmerston, a lavish gastropub, at 33 Dartmouth Park Hill, Tufnell Park, London NW5. Tickets cost £10 via https://www.eventbrite.co.uk/e/full-bloom-tickets-11705540587 . The performance starts at 8pm.
Lizzie Harwood has been involved with the Paris Literary Salon from early days and is an extraordinary writer and writing mid-wife: Lizzie Harwood is touting her editorial services to authors or companies in need of a freelance copy-editor, book doctor, ghostwriter, or writing mentor (personal training for writers! bring on the Book Bookcamp!). See www.editordeluxe.com for further details.
Ann Moradian at Perspectives in Motion in Paris has lots on offer in the coming month–for example:
Monday, June 9, 2014 from 12h00-18h00 (20€ one-time offer! )
Colum Morgan and Ann are joining forces to bring their experience of body, being, theatre and voice together to deepen and explore embodied theatre. This first workshop is for actors and movers with performance experience. We welcome your joining us in this exploration!
I celebrate the professional and creative (and mostly, professionally creative) activities of members of the Salon community…pass on the good works!
Happening Salonistas in Paris
Long term Salonista and writer extraordinaire Lizzie Harwood has a revamped website: www.editordeluxe.com share the news with anyone looking for editing services or help with their writing and publishing goals.
The talented and compassionate Helene Larisch has started her own enterprise teaching English to folks with limited vision—her lessons combine literature with spoken English practice in thoughtful and inspiring lessons: contact :helene.larisch@wanadoo.fr L’association Tout en Parlant propose à partir de janvier 2014 un cours d’anglais pour les personnes concernées par la basse vision. L’objectif est d’améliorer la compréhension et la pratique de la langue orale avec une méthode adaptée. Le cours a lieu tous les lundis de 14h00 à 15h30 au Centre Social Le Pari’s des Faubourgs, 12 rue Léon Schwartzenberg, 75010 Paris, métro Gare de l’Est.
Another friend of the Salons, Nathalie Vigier offers a variety of cultural events celebrating language and cultural diversity as well as English and French courses adapted to individual needs. natalievigier@yahoo.fr and http://www.petitmusc.fr/
