Bloomsday 2022!

So, in the centenary year of Ulysses, this year’s Bloomsday on 16th June was – perhaps slightly confusingly – the 100th (from publication) or the 116th (from the setting of the book in 1904).

Either way, devotees of James Joyce and his most famous work continue to use the day as as a reason to celebrate all things Joycean and in particular the fabulous characters that populate Ulysses, most notably Leopold and Molly Bloom and Stephen Dedalus. Below are some of this year’s highlights for the LitSalon.

‘Bloomsday’ by Nick Midgley on RTE Radio 1

Nick Midgley’s radio play Bloomsday, dramatising the relationship between James Joyce and his brother Stanislaus and their time together (with Nora Barnacle) in Trieste, was broadcast on RTE Radio 1 on Sunday 12 June and can still be heard online.

The Bootleg Balloonatics’ Bloomsday Walk in Tufnell Park,
12 June 2022

The Bootleg Balloonatics – organiser Chris Bilton, Paul Dornan and John Goudie – invited Toby Brothers to join them (playing Molly, Milly and Mrs Breen) for a two-hour recreation of Leopold Bloom’s Dublin perambulations in London’s Tufnell Park, performed for an appreciative travelling audience of around 50, ending with gorgonzola sandwiches in the Dartmouth Arms . . . Read more in the Camden New Journal here.

Bloomsday in Dublin, 16 June 2022

A group of intrepid Salonistas – including Sheila Fitzgerald, Leah Jewett, Paul Caviston, Zita Moran (to name just a few) – visited Dublin to enjoy Bloomsday celebrations in situ. The day included the Dublin Balloonatics’ Bloomsday Walk led by founder Paul O’Hanrahan, an early morning swim from the Forty Foot (that’s Toby diving in), a variety of period costumes, a visit to The James Joyce Centre, and an Eccles Cake (or perhaps it’s a toasted teacake) in Eccles Street . . . a good time was had by all!

At a specially convened celebratory lunch on the following day, Toby – who has guided so many in the Salon through this extraordinary literary journey – recited her poem about launching a new Ulysses study:

Launching Ulysses study

A new study begins…
First time faces gather in Hollywood Squares
Alarmed face asks me
Why did he come?
Courtesy or an inward light?

Will they find their way?
Will they stumble and fall into ineluctable modality of the impossible?
This reader wants into the fray, but
I’m not a believer myself, that is to say…
A believer in the narrow sense of the word.”
And I want to say:
Shut your eyes and See.

Another reader takes tentative steps forward
Her reading wobbles but Buck draws her near
“Are we supposed to like him – or not?”
In Joyce, there are no easy answers. 
In the stilted dance of Telemachus
I hope she will catch a grip
And Joyce whispers close:
That’s the bucko that’ll organise her, take my tip.”

A frustrated reader who hasn’t yet learned to swim in Jim
Scratches at the text
But it is himself he fears
Plenty to see and hear and feel yet.
The only thing is to walk,
Then you’ll feel a different man. 
It’s not far – lean on me.

I hope they will hear in a profound 
Ancient male unfamiliar melody
The accumulation of the past.  

I hope that they will hear
The chant of a quick young male form
The predestination of the future.

Look out—gender fireworks ahead
Who will stumble? O, so many rocks!
Possess her once take the starch out of her”
“O wept! Aren’t men frightful idiots!”
She does whack it, by George!
So many cocks. 

But if—o, but if they can find
The ample bed-warmed flesh

Yes                Yes        
FORWARD woozy Wobblers!
Old Ulyssians – Make more room in the Bed!

Reading Ulysses is not only a wonderful literary adventure, it’s also great fun! Our next Ulysses studies (a six-month study beginning in January 2023 and an extended ‘slow read’ option starting in October 2022) are now open for booking.

Also in Dublin . . .

Meanwhile, Salonista Geoff Strange has kindly allowed us to publish below an account of his own independent visit to Dublin for Bloomsday 2022.


The day was long, starting with a brisk walk to the Martello Tower in Dalkey, then walking the strand in Sandymount, then Sweny’s, then The National Museum and for then what we hoped to be a relieving park bench in St Stephen’s Green before our next “appointment.” But could we find a spare park bench anywhere? No! Literally all benches were occupied and occupied, I might add, by a cacophony of bonnet/boater wearing Edwardians, some of whom were even playing American football! At last, we spied a shady bench and after a dash that would impress Usain Bolt, the bench was duly nabbed! We sat and napped only to discover on awakening that we were sat opposite non other than our very own Jim! There he was, plinthed and peering back at us with those dodgy eyes of his. It’s as if he had bequeathed his very own bench to a couple of foot weary flaneurs in our hour of need!   

Suitably reinvigorated we left our bench, said bench soon to be taken up as temporary dug-out for those Edwardian garbed American footballers, and made our way to MoLI for a lecture by Paul Muldoon, Irish poet and general polymath about town. He was giving the inaugural Dedalus Lecture entitled, “Spinoza’s Shillelagh: Some Thorny Issues in Ulysses. We were treated to an hour of poetic investigation of, wait for it, the first three words of the novel. Can you remember them? Of course: stately, plump, and buck. To Muldoon, the whole book is bound within those three words. It was a fanciful and entertaining romp through Irish and Classical literature! 

The whole sixty minutes was, in a way, quite Joycean, not through design but in the way he was initially interrupted by the reggae band in the garden, then a stream of late attendees with himself, no less, showing them to their seats and then to cap it all, the gentle murmur of somebody’s mobile phone. All of us reached for our pockets but all but one was safe in the knowledge that it was not ours. For the poor eejit that discovered that it was his phone was bad enough but his woeful inability to firstly find the correct pocket and then work out how to switch the damned thing off, all the time the volume of its inane ringtone getting louder and louder, made me think of how Joyce would actually have loved this! 

After that there was only one final destination on the agenda: pints and a toasted sandwich at Peter’s Pub. No, not mentioned by Joyce but this favourite Dublin haunt of mine is so redolent of a bygone era of manners, stools at the bar and none of that musak, maybe similar to Davy Byrne’s in its heyday. As you walk in, they say “how are yer, what’ll you have,” to which the response is two pints please (no need for clarification in this boozer). “No matter, you sit down, and I’ll bring them over. Toastie?” No need to tell you the answer to that! 

Several hours later we are back on the DART speeding past Sandymount Strand with not a firework in sight! We look left across the sea denuded strand, peering into eternity. 

What a day!

Hope your day was special!

And just to say, Toby, how grateful I am to you for your amazing guidance on this epic journey. You certainly opened an old door very carefully to another way of reading and I can’t thank you enough. 

Go raibh mile maith agaibh


Bloomsday 2022

The heaventree of stars hung with humid nightblue fruit…

Photo (Brownstown Head, Co Waterford) by Will Francis on Unsplash

Those who have not YET read Ulysses may wonder what all the fuss is around Bloomsday, 16 June. There are those books you read that shift your world view – adding more intense colours to the interior and exterior landscape, have you rolling a favourite line or two sweetly in your mind – and then there are those few works that blast the mind right open: frustrating, challenging and ultimately symphonically exploding your understanding of what language can do, of what we might be able to understand about ourselves, each other, through the medium of language. Ulysses is the latter. 

Having stumbled, trotted and slip-slided through this beautiful work many times now with such wonderful minds, Ulysses is in my bones – constantly reminding me that any given day, for any regular person, can be epic when we attend to the mind’s stream…Always passing, the stream of life, which in the stream of life we trace is dearer than them all….

On this, the 100th year anniversary of Joyce’s publication, the Salon is proud to highlight some of the many ways readers and would-be readers celebrate this work that warmly embraces the rhythm of life. 

  • On Sunday 12 June Nick Midgley’s radio play Bloomsday will be broadcast on RTE’s Drama on One (more to follow on this).
  • On the same day in London the Balloonatics (joined by, ahem, me) will enact the second annual Tufnell Park Bloomsday Walk.
  • Meanwhile, a group of Ulyssians and Wakians from the Salon will head to Dublin to experience the carnival in the streets that celebrates this bounding work.

The Dressmaker of Paris

Thrilled for Salonista Georgia Kaufmann, whose debut novel The Dressmaker of Paris is getting rave reviews!!

Breathtaking and utterly enthralling, The Dressmaker of Paris is perfect for fans of Lucinda Riley, Kate Morton and Dinah Jefferies.

The Dressmaker of Paris is a delicious book: elegantly structured, beautifully written and with a fascinating protagonist. Georgia Kaufmann has created a beautiful and compelling novel that had me hooked until the very last page. And that ending: wow!’ – Gill Thompson, bestselling author of The Oceans Between Us

‘Sensuous, sweeping and utterly engrossing, The Dressmaker of Paris is as dazzling and finely crafted as a Dior gown’ – Rachel Rhys, bestselling author of Dangerous Crossing

‘The story of a remarkable woman . . . A book you will lose yourself in’ – Gill Paul, bestselling author of THE LOST DAUGHTER

From https://georgiakaufmann.com/

I NEED TO TELL YOU A STORY, MA CHÈRE. MY STORY.

Rosa Kusstatscher has built a global fashion empire upon her ability to find the perfect look for any occasion. But tonight, as she prepares for the most important meeting of her life, her usual certainty eludes her.

What brought her to this moment? As she struggles to select her dress and choose the right shade of lipstick, Rosa begins to tell her incredible story.

The story of a poor country girl from a village high in the mountains of Italy. Of Nazi occupation and fleeing in the night. Of hope and heartbreak in Switzerland; glamour and love in Paris. Ambition and devastation in Rio de Janeiro; success and self-discovery in New York. A life spent running, she sees now.

But she will run no longer.

Rejoice in Joyce: Toby’s article in the Camden New Journal

Toby wrote an article for the Camden New Journal advocating for (what else?) the joy of Big Reads:

Full article may be found here: http://camdennewjournal.com/article/review-book-club-take-time-to-rejoice-in-joyce

“Does it help to know that others before us have felt this despair? Dante’s infernal vision arose from his spiritual sickness at the political and ecclesiastical corruption infecting his beloved Florence, his revered Church. He climbed out of the layers of Hell, punishing those who had rent the fabric of his world – and creating a beatific vision from the depths of despair.

From Homer through Joyce into Ellison and Morrison, we find analysis of the xenophobia – the fear of the stranger articulated as racism, anti-semitism, anti-immigrant, homophobia – that has reduced our common humanity. To read is to enter into the experience of another and recognise yourself.

A few final suggestions. Read with a wide-awake mind. Many of us have developed a habit of reading before falling asleep – not the most attentive state of mind. Choose a time each day and give yourself an hour. Stay with the book for at least a week, some works take 50 to 100 pages to warm up and the book will teach you to read it as you enter its particular realm or way of seeing the world.

Life After Hummus: Community Support

Since the Corona Virus crisis began, we have all been looking for ways to reach out to those in need. The LLS has been supporting LifeAfterhummus with Salons that are donation-only– the Salon can be joined for as little as a pound– and the donations go to local organisations serving those in need. LifeAfterHummus is the organisation we have chosen to support– here is a bit about them:

Lifeafterhummus is now providing Coronavirus Support

As a Community Benefit Society, our main goal has always been to serve the local community. In the past, this was done through education on nutrition and free and affordable cookery classes. However, due to the recent outbreak of the Coronavirus, we believe that needs of the community have change and that we have to adapt in order to address them.

It has been well covered in the media that the best way to stop the outbreak is shut down shop and encourage self isolation and whilst we whole heartedly agree with this approach, we also realise that some families – now more than ever – need additional support to get through these difficult times.

This is why we are partnering up with local charities and organisations to launch a Community Action Response Support Centre for local residents of Somers Town, to be based in The Somers Town Community Association Centre (Camden NW1 1EE) and the Living Centre (Camden NW1 1DF).

For more information: http://www.lifeafterhummus.com

Why Read Ulysses??

Than there is the writing: to grapple with the words and linguistic pyrotechnics of James Joyce—to enter into his exploration of the body, mind and street-life, to sit in awe of his allusions, musicality, interweaving structures and thematic developments is to expand the possibilities of the written word. Then to do this with a diverse group of other curious readers who are also struggling and discovering allows each reader to enrich their own understanding many fold. We laugh, we express our frustrations, we query meaning and purpose, we discover great depth in the language and vision of the writer.

http://www.economist.com/blogs/prospero/2012/06/james-joyces-ulysses

Coming Ulysses study: Eight week-Virtual Salon will get you two-thirds through this amazing work with all the support and back ground you need and a lively group of minds to bring pleasure to the journey…

Why read Ulysses?

By far the most thrilling reading experiences of my life have centred in Kentish Town, in a cosy sitting room in the home of Toby Brothers, the gifted director of the London Literary Salons. Each of the books we read was rich and challenging, but the thrill came from the distinctive style that Toby has evolved for guiding readers through a given text.

Deeply engaged with and knowledgeable about literature, Toby is highly developed as an agile guide, a careful instructor, and perhaps most important, a sensitive and infinitely patient facilitator to the small group of ‘students’ in her charge. She can unite participants of wildly varying levels of education, experience and interests, and help each to bring him or herself to bear upon the study of great works of literature. The thrill comes from the sense of discovery, adventure, and sheer good fun we get from our mutual exploration of a given writer.

A lifelong bookworm, I knew there were some works I just wouldn’t get the full meat of on my own – ranging from a slim and perhaps deceptively straightforward-seeming book like ‘Wide Sargasso Sea’ to novels like ‘Invisible Man’ with its deep racial themes, to Shakespeare’s plays, up the granddaddy of all English-major holy grails, Ulysses, by James Joyce. Toby and the London Literary Salon have been invaluable to fully tucking into these and many more. For each, I came away with meat and potatoes — a careful read bolstered by a side plate of critical insight and nuance unobtrusively provided by Toby.

But even better was the unexpected and satisfying savour of the personal and often marvellous insights that Toby draws out of fellow salon participants.Incidentally, many friendships have bloomed during salon studies and their associated adventures, such as travelling to Dublin for the annual, often raucous celebration of Ulysses and its creator.

The American novelist John Williams, author deplored the notion that literature is something to be picked apart, as if it were a puzzle – to be studied rather than experienced. ‘My God, to read without joy is stupid,’ he said. The  London Literary Salon will help readers to experience great books with joy.

Concert in Paris 15 November

The wonderful Hélène Larisch– Paris Salonista and organiser for the Tout en Parlant association –offers this fabulous concert to raise money to support the great work of providing cultural offerings and connections for people with limited sight. 

Outspoken Sex Ed Panel Discussion

Outspoken Sex Ed presents a panel discussion…
Doing It Like The Dutch: tips for parents from Holland’s world-class sex ed

Why are Dutch teenagers the happiest in the world? How do the Dutch talk to their children about sex and relationships? And what happened when YouTuber Mimi Missfit took seven British teenagers to Holland on a sex-ed fact-finding mission for the BBC?

Our expert line-up:

  • Amsterdam-based journalist Mark Smith
  • Primary-school relationships and sex education teacher Jonny Hunt
  • Producer of the BBC series Mimi On A Mission: Sex EdIda Bruusgaard

gives parents Netherlands-knowledge insight into how to talk openly with their children about sex and relationships. Expect lively debate on everything from “curving” to consent, and eye-opening video clips, as the panel helps Brits buckle up for some frank conversations.

Mother Pukka founder and Insta-Mum phenomenon Anna Whitehouse, herself half-Dutch, is looking forward to this refresher course on progressive ways of parenting: “The timing couldn’t be better – sex education is in the air, and we’re all trying to figure out how to talk to our children about tricky stuff”

A panel discussion on 12 November at 6.45pm in the Conway Hall, Red Lion Square, London WC1R 4RL

 

More information…

 

  1. Outspoken Sex Ed is a social enterprise dedicated to getting parents talking openly about sex and relationships. Outspoken is developing an interactive website, sends out an informative newsletter and delivers topical, inspiring live events to give parents the language, knowledge, skills and confidence they say they need. Established in 2018, it is led by parents Sophie Manning, Yoan Reed and Leah Jewett, who among them have children ranging from toddlers to teenagers to young adults. Ultimately Outspoken is aiming to change the conversation around sex, love, pleasure and relationships – and to work towards a culture that prizes respect, inclusivity and openness
  2. Parents are the missing link in their children’s relationships and sex education. Talking openly at home reinforces safeguarding, improves mental health and strengthens the parent-child connection.
  3. How do we know that Dutch sex education is the best in the world?
    1. Relationships & sex education has been compulsory in all schools from primary age upwards as of 2012. Dutch sex ed is sex-positive and emphasises diversity, safer sex and communication. The internationally renowned Rutgers institute has developed a holistic relationships and sex education curriculum which it exports around the world
    2. Holland has the lowest teen pregnancy rates in Europe and low teen abortion rates. Under-25s account for only 10% of STIs
    3. A 2013 Unicef report labelled Dutch children the happiest in the world (with a score
      of 8.4 out of 10) and Dutch kids topped the wellbeing charts in 2017
    4. Dutch teenagers tend to have delayed, and pleasurable, first-time sex
    5. The Netherlands is one of the world’s most gender-equal countries

 

  1. Biographies of our three speakers:

 

  • JONNY HUNT is an independent sex education consultant who creates and delivers workshops for children and trains professionals. All About Me – the sex-education programme he developed for Warwickshire primary schools – is inspired by Spring Fever, the Dutch relationships and sex education (RSE) programme for young children. Jonny specialises in delivering inclusive RSE with a sex-positive approach, encouraging both adults and young people to explore their attitudes and values towards
    sex and relationships. Why, he asks, can’t sex and relationships be fun and empowering?
  • IDA BRUUSGAARD is the executive producer of the BBC series Mimi On A Mission: Sex Ed and managing director of Peggy Pictures, which focuses on discovering young, diverse onscreen talent and telling factual-TV stories that reflect the lives of under-25s. Originally from Norway, Ida won
    a gold medal at the New York Festival’s International Broadcast Awards for assistant-producing
    Dogs That Changed the World. She has also directed high-rating primetime programmes for Channel 4 (Sharon Horgan: How to be Married) and BBC1 (Heir Hunters, Village SOS). The second series of Mimi On A Mission – about mental health and happiness – will be released in spring 2020
  • London-born, Amsterdam-based MARK SMITH is a freelance journalist and editor whose features about life in the Netherlands have seen him canoeing through canals and interviewing extremely tall people for titles including The Times, The Sunday Times, Observer Magazine and The Guardian.
    He has edited COS magazine, the Soho House members’ magazine and Time Out Amsterdam.
    In his March 2019 Times pieceWhy Dutch youngsters are the world’s happiest teenagers he profiled five adolescent locals and explored the Dutch concept that “no question about bodies or emotions should be off limits”. Mark co-parents a daughter with his husband and their best friend in Holland
  • Chaired by Outspoken Sex Ed director SOPHIE MANNING

 

  1. Funds raised through this event will go towards the development of Outspoken’s new digital resource: a go-to website where parents can access information
    and expert advice. It features a series of Mayday Moments – tricky situations parents can find themselves in, ranging from “My toddler finds my tampon” to
    “I see that someone has sexted my child” – with responses from our panel of experts

 

  1. Please visit outspokeneducation.com

Tribute to Dr. Toni Morrison

Tribute to Dr. Toni Morrison

“What does it mean to be human? FOREIGNNESS IS THE REALM OF THE CURIOUS.The dream state is where you are most vulnerable.The final frontier of home is the human body. Home is where the memory of the self dwells…”

—  From ‘The Foreigner’s Home’ lecture at The Louvre in 2006

August 7th, 2019

Mid-day Tuesday August 6th I land in JFK on the way to see family in Upstate New York. I turned my phone on as I was heading towards ground transport, my phone throbbed with messages labelled ‘Toni Morrison’.
Thinking, how wonderful, all these folks reading this great writer! And then I read the news of her death– and I am crying inconsolably at the ground transport desk– and can’t quite communicate to the young woman with the walkie-talkie why the death of this writer has so floored me.
Morrison tested me, provoked me and then utterly illuminated me. Her language bridges profundity and lyricism. Her images sear– and make the reader understand pain and struggle freshly– and why it is so necessary that we understand each other’s pain. Her book Beloved started the Salon– and continues to be the touchstone where I ground my reading in writing that weaves sublimity with the grotesque to reveal the depths of human experience. Her work made me face racism head-on– and shaped a life-long study– that I will never complete– to celebrate Black culture and recognise the fingerprints of racial inequity all across American cultural history. Morrison’s fiction and non-fiction has inspired my teaching: I want everyone to read her books and to discuss them– to be blown open by the sharp beauty of her art.
Many of her lines chant in my mind–here is a quote from her lecture ‘The Foreigner’s Home’ at The Louvre in 2006:

The destiny of the 21st century will be shaped by the possibility or collapse of a sharable world. The arts community is unique: searing and reflective, the arts have the ability to re-interpret views of estrangement- (we are faced with a) question of cultural apartheid or estrangement….
Belonging vs. Dispossession

(We are in the process of) regulating the children of immigrants into a modern version of the undead- (in reference to the flood in New Orleans) we have a harvest of Shame- this almost Biblical flood (revealed the US government’s choice to leave for dead the poor, the black Americans whom they viewed as disposable) ….
All displacements have transferred cultural riches into foreign soil.

The double meaning of the title of this conference: The Foreigner’s Home is of course purposeful. Either the foreigner’s own home or the foreigner is home….the theme: being, fearing or accommodating the stranger.
Art enlightens….history instructs.”

Across the years, I can still feel the power of her spoken voice—how every word came through in its full potential when she spoke. Her vocal expression honoured words—the listener became more attuned to both the particular music of language and the voltage of meaning.

One of my favourite quotes–best description of love:

“She is a friend of my mind. She gather me, man. The pieces I am, she gather them and give them back to me in all the right order.” –Beloved

I have read, re-read and taught Jazz, Beloved and Sula. Her more recent work, A Mercy, deserves your reading attention.

It is a deceptively slim book that presents the land of the United States before that particular organisation was established. It is a fecund and golden world—and the struggles for power and dominance have not yet been codified. Free labour-enslavement—is not yet solely a function of skin colour. Morrison uses this moment of discovery of the New World (that was already another people’s world) to ground the outrageous history of a country founded on ideal of freedom, undercut by the reality of slavery. A Mercy considers the accidental family of a group of people with no cultural connection to each other as they try to create a home and a living in the fresh land. The story starts with an act of mercy—the grace that is inherit in us all:

“One chance, I thought. There is no protection but there is difference. You stood there in those shoes and the tall man laughed and said he would take me to close the debt. I knew Senhor would not allow it. I said you. Take you, my daughter. Because I saw the tall man see you as a human child, not pieces of eight. I knelt before him. Hoping for a miracle. He said yes.
It was not a miracle. Bestowed by God. It was a mercy. Offered by a human. I stayed on my knees. In the dust where my heart will remain each night and every day until you understand what I know and long to tell you: to be given dominion over another is a hard thing, to wrest dominion over another is a wrong thing; to give dominion of yourself to another is a wicked thing.”
― Toni Morrison, A Mercy

I hope you read and talk about this book—and the other (many) gifts of this extraordinary mind. I am about to facilitate another Belovedstudy in Virginia—I think this is my 28thstudy of this work but I do not know. What I do know is every dip into her writing leaves me with joy for the sensually-evocative, knife-sharp phrase, love for the beauty of the world and the human souls who grasp it—and a greater desire to fight racial inequality.

I will miss her clear account of the horrors of our tribal feuds and grimy politics. I will miss her celebration of the redemption available in art.

Rest in Peace, Dr. Toni Morrison. Your generous heart, your extraordinary vision ripples out and offers hope.

—  Toby Brothers, Director London Literary Salon

Party likes its 1819!! 200 years of Herman Melville and Walt Whitman

Salon Party 2018
Salon Winter Holiday party

The Salon crowd likes a party! And what better reason than to celebrate two of our favourite writers: Walt Whitman and Herman Melville who were born 200 years ago this year. These Salon social occasions are an opportunity for the lively minds of the Salon studies to join together– offering readings, music, performances, good vibes or rapt attention. If you would like to join, please choose a passage or poem to share or song to sing that celebrates your connection to either of these great writers– or just join in the celebration!

 

 

 

DETAILS

  • October 31st Kentish Town 7:30-9:30 PM
  • Contributions of prose, poetry and song most welcome
  • RSVP via Contact Us

Walt Whitman was a poet of mid-19th century United States whose exuberance at the miracle of living and the multitude of human beings infuses his verses. Reading aloud selections from his great work, “Song of Myself” is pure joy. You will want to join in sounding his ‘barbaric yawp over the rooftops of the world’.

Do I contradict myself? Very well then I contradict myself, (I am large, I contain multitudes.)

Whitman lived in a moment when the United States seemed bent upon bloodily tearing itself apart. Even as a battlefield nurse in the savageries of the Civil War, Whitman found much to celebrate about the human spirit– I turn to him when I need to be reminded of humanity’s shine.  captures Whitman’s vision:

Salon holiday party 2018

“Those harrowing years amplified Whitman’s already Romantic conceptions of death. If Keats was “half in love with easeful death,” Whitman was head over heels for it, as a subject fit for his titanic drive to coax positive value from absolutely anything. (“What indeed is beautiful, except Death and Love,” he wrote. Note that death has pride of place.) Meanwhile, he piloted his soul in genial company with all other souls, afoot like him on ideal democracy’s Open Road, exulting in human variety. If he failed any definitive American experience, it was aloneness. That lack was made good by his younger contemporary Emily Dickinson: the soul in whispered communication with itself. Both poets dealt with the historical novelty of a nation of splintered individuals who must speak—not only for themselves but to be reassured of having selves at all. There have been no fundamental advances in the spiritual character—such as it is, touch and go—of our common tongue since Whitman and Dickinson. It’s a matter of the oneness of what they say with how they sound saying it. Admittedly, Whitman can be gassy and Dickinson obscure, but they mined truth, and mining entails quantities of slag. They derived messages from and for the mess of us.”  — New Yorker June 2019 How to Celebrate Walt Whitman’s 200th Birthday 

We will have steered three groups through the passionate prose of Herman Melville — for more on Moby DIck and Melville’s aesthetics,  check out the Salon study or recent Guardian review.

 

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